"We've come too far to leave it all behind," crooned Chicago's former bassist Peter Cetera. Those lyrics, from the 1977 hit "If You Leave Me Now," remain relevant for a band that's sold more than 100 million albums in a career spanning 45 years.
Despite the fact that it's been eight years since the last album of all-new material (dubbed Chicago XXX), this group's trajectory has continued practically unimpeded. The loss of cofounder and guitarist Terry Kath to a self-inflicted gunshot wound in 1978 and the departure of Cetera in 1985 created momentary crises. But with four original members still in the fold and four newer recruits, Chicago remains as vibrant and invigorated as ever.
That was clearly the impression vocalist and keys guy Robert Lamm gave when speaking with New Times from his Santa Monica home.
Chicago: 8 p.m. Thursday, April 4, at Hard Rock Live, 1 Seminole Way, Hollywood; 954-797-5531; hardrocklivehollywoodfl.com. Tickets cost $40 to $90 plus fees.
New Times: Chicago has been making music for 45 years, both on records and on the road. What do you think accounts for the band's ongoing popularity?
Robert Lamm: I think it's the songs. We were part of that group of artists that emerged post-Beatles when we noticed the Beatles were writing all their own material, and we were part of the generation that emulated that aspect of being in a rock band. The writers in the band — me, Jimmy Pankow, and Terry Kath — all brought very different influences into the mix. The fact that the instrumentation was unusual meant our recordings were very different from everybody else's. They sound distinctive and unique. So regardless of what the trend was or what was being played on the radio, Chicago stood apart. You either liked it or didn't like it, but it was definitely different.
It's been nearly eight years since your last album of original music, Chicago XXX. Can we expect anything new on the horizon?
We're actually recording a new album in a very different way. We're planning to release two songs at a time for a while throughout this year and then eventually compile them into a CD or some other format. So this is a very stimulating time musically.
All of your newer music has been Christmas music, right?
If you like this story, consider signing up for our email newsletters.
SHOW ME HOW
You have successfully signed up for your selected newsletter(s) - please keep an eye on your mailbox, we're movin' in!
[laughs] My decree to the band after this last Christmas release was that I don't want to do any more holiday albums. And I don't want any more greatest-hits albums either. To a degree, we can control our part of it, but our masters are owned by Warner Bros., so they can do whatever they want with them. Still, I think we can all agree there are enough of those.
When you look back at your catalogue and all the hits, you've clearly set a high bar for yourselves. Is that intimidating?
A little bit, but I think there are a couple of things that work in our favor. We're not trying to compete. We can't really compete with the 70 or so hit singles we've had over the past 40 years. They're always on the radio. It's like the Stones or the Beatles. One of our songs is being played virtually every minute.
During the last two decades of our recordings, the trouble we had getting our songs played on mainstream radio — when there was mainstream radio — was that the program directors would come back to us and say, "Well, we're already playing a lot of your songs, so we're not that interested in adding any more Chicago songs to our rotation." But all that's kind of out of the way right now, so we can pay more attention to being more creative with our writing and considering things that we might never have considered for our albums before.