Babasonicos has no moral either. It doesn't have one now, at the peak of its popularity, because it never had one during the seven studio albums where it jumped from hip-hop to bossa nova, and from sugary Italian-inspired ballads to gloomy heavy metal, with as many musical stops in between as it could make. The odd twist that explains its arena-size status in Argentina? Strategically embracing a few catchy but cheesy (and why not?) romantic songs stuck in Sixties melodies that once represented the Argie rockers' worst nightmare, yet which have made the band as big as it dreamed of becoming back in 1992.