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  • Article

    Cultural Glasnost, Miami Style

    Young, old, white, black, Latin, in suits, shorts, cowboy hats, and platform shoes, with long hair, shaved heads, or balding -- people packed together at tables and wedged on the stairs, mingling, relaxed. The crowd gathered in the restaurant space o...

    by Judy Cantor on March 12, 1998
  • Article

    Between Punk Rock and a Hard Place

    Sam McBride takes the telephone receiver from his wife Suzy and grunts a quizzical "Hello." Slightly out of breath, he's just walked in the door of the couple's East Bay duplex, and he explains somewhat apologetically that things have been hectic in ...

    by Michael Yockel on March 12, 1998
  • Article

    Rotations

    Ted Hawkins The Ted Hawkins Suffer No More (Rhino) Ted Hawkins The Final Tour (Evidence) In many ways the late Ted Hawkins, who spent the bulk of his career singing for tips on the Venice Beach boardwalk just outside Los Angeles,...

    by Adam St. James on March 12, 1998
  • Article

    Psychotronic Reaction

    Currently being posited as an alternative to the mournful noisy rock out of the suddenly loathed Northwest are all kinds of Good-time Joe's Toe-Tappin' Jug Band-type nonsense -- as though the opposite of morbidly paralyzing introspection were witless...

    by Curt Hopkins on March 5, 1998
  • Article

    Master of Mixology

    Imagine, if you will, music that is beheld. Imagine stepping into an orchestra and experiencing it from the inside. From that vantage point the view is inseparable from the notes. It's not watching like one watches television, but rather seeing in th...

    by Adam Heimlich on March 5, 1998
  • Article

    Rock of Ages

    Kelly Mason, age sixteen, recalls with glee a recent Christian rock concert she attended. "It was the first time I'd been to a Presbyterian church with a mosh pit," she says, "and you'd step out of the pit and there's blood on the floor. And I'm like...

    by Rafer Guzman on March 5, 1998
  • Article

    Rotations

    James Iha Let It Come Down (Virgin) On his first solo release, Smashing Pumpkins guitarist James Iha eschews his band's more wrenching form of heart surgery in favor of the tender Neil Young-style ballads that are often washed down with whi...

    by Curt Hopkins on March 5, 1998
  • Article

    Give Them a Break

    While some would argue that there are many jackasses in contemporary music, there's only one elephant butt -- or so I believed for more than three years. In 1994 at the now-defunct Stephen Talkhouse in Miami Beach, completely by accident I saw and he...

    by Nina Korman on February 26, 1998
  • Article

    Art for Art's Sake

    Although it's buried near the end of a CD EP and presented as a rough demo, "Happy Hour" may be the song that best explains at least part of the creative drive and artistic aesthetic behind the writing of Everclear auteur Art Alexakis. In it the 35-y...

    by John Floyd on February 26, 1998
  • Article

    Jonny on the Spot

    Like a lot of seventeen-year-old boys, Jonny Lang is having trouble waking up. It's almost one o'clock in the afternoon, but Lang sounds groggy, distracted, still lost in dreams. Unlike most seventeen-year-old boys, Lang has a pretty good excuse: He ...

    by Steven Almond on February 26, 1998
  • Article

    Horn of Plenty

    Sax player Eric Allison, looking casual yet distinguished in a black jacket, a light-gray collarless shirt with the top button opened, and dark gray slacks, is in a good mood. Heading toward an outdoor table for a pre-gig meal at Sterling Worth Cafe...

    by Larry Getlen on February 19, 1998
  • Article

    Rotations

    Groovie Ghoulies Re-Animation Festival (Lookout!) The Donnas American Teenage Rock 'n' Roll Machine (Lookout!) Rock shtick has a short radioactive half-life. For example: When was the last time you listened to late-Eighties Englis...

    by John Lewis on February 19, 1998
  • Article

    Rotations

    Various Artists !Ay Califas! Raza Rock: The '70s & '80s (Rhino/Zyanya) To the listening public, new directions in music often seem like Athena sprung fully armed out of ... nowhere. But musicians know better. They've seen, and often adored,...

    by John Floyd on February 12, 1998
  • Article

    X-tremely Impressive

    To the uninitiated, the X-ecutioners' preference for the term "turntablists" rather than "DJs" might seem an affectation, or might at least come across as a bit uptight. But this winter, on their first American tour, the New York City crew feels vali...

    by Adam Heimlich on February 12, 1998
  • Article

    In Like Flynn

    On January 22 the world watched as the pope homilized in Cuba, but for maestro Frank Emilio Flynn and his friends, the truly historic event was happening on this side of the strait. That night the influential 77-year-old Cuban pianist, whose rhapsodi...

    by Judy Cantor on February 12, 1998
  • Article

    Rotations

    Various Artists Good Will Hunting (Capitol Records) Most movie soundtrack albums function more as marketing ploys than coherent musical statements. Songs are either tagged on as blatant record-company favors or used to sell a piece of Holly...

    by Michael Roberts on February 5, 1998
  • Article

    Blue Suede Blues

    We're barely into 1998 and, much like the year that preceded it, death has already tainted its arrival, an unfortunate but inevitable continuance of 1997's massive body count. That year was kicked off by the January 1 death of singer-songwriter and c...

    by John Floyd on February 5, 1998
  • Article

    Rotations

    You Am I Hourly, Daily (Sire Records) You Am I is a Sydney, Australia, trio that has achieved an oddly impressive distinction during its six-year history: It has somehow managed to build a zealous American fan base without actually releasin...

    by Seth Hurwitz on January 29, 1998
  • Article

    The Son Remains the Same

    Night falls loudly on a recent Sunday evening in Riverside, the downtown barrio wedged between the Miami River and Flagler Street. The sizzle of frying food and snatches of Spanish-movie dialogue leak from the windows of faded stucco apartments, as d...

    by Judy Cantor on January 29, 1998
  • Article

    Lighten Up Already

    A few weeks ago I was watching MTV, and Kurt Loder was interviewing Marilyn Manson on the subject of Hanson. The esteemed Mr. Manson, unbloodied for the moment but still sporting that corpse-white glow, had this to say: "Those little boys scare me......

    by Keith Lee Morris on January 22, 1998
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