50 Best Miami Bands of All Time: From 25 to 21
Disco Rick: Pimp, bass legend, and King of Diamonds stripper wrangler.
Photo by Giulio Sciorio
There's a classic Miami song for every occasion.
Protesting SoBe nightlife? Crank up ANR's "Kill South Beach Dead." Getting a perm? Frizz with Nuclear Valdez's "Summer." Stripping for the rent money at King of Diamonds? Try Disco Rick and The Dogs' "Take It Off."
Check the cut for numbers 25 to 21 in Crossfade's 50 Best Miami Bands of All Time. And discover another round of day-enhancing Dade County ditties.
25. Critical Mass
Opera Fusion: Not in My Town
TicketsFri., Sep. 30, 8:00pm
The Dandy Warhols: Distortland Tour
TicketsSat., Oct. 1, 8:00pm
Max & Iggor Cavalera
TicketsSun., Oct. 2, 7:00pm
Charlie Puth - We Don't Talk Tour 2016
TicketsTue., Oct. 4, 7:30pm
Peter Frampton Raw: An Acoustic Tour
TicketsWed., Oct. 5, 7:30pm
When exactly did Miami punk rock come crawling outta the swamp-water gutter, start walking and snarling and spitting, snatch up a guitar, gnaw on a microphone, and release its very first seven-inch single? The year was 1978. And the original specimen was Critical Mass.
Weened by Mick Fazz, this five-year-old "high-energy progressive rock" creature was radically reborn (like a million others around the world) after consuming a copy of the Sex Pistols' Never Mind the Bollocks. Almost instantaneously, Fazz and the Mass mutated into punks. They fed on the Pistols and the New York Dolls. Then they headed for a Hialeah studio to crap out a couple of SoFla punk classics, "Silver Screen" and "No One Left To Blame."
And though Critical Mass soon went extinct, its punk progeny inherited the Earth. Or at least a sizable slice of the Miami music scene. -- S. Pajot
Unlike so many composers obsessed with the sonics of cinema, Phoenicia's Romulo Del Castillo and Josh Kay were not interested in generating the background noise that constitutes a film's score. Instead, the Schematic Records founders were obsessed with designing soundscapes inspired by the commonplace noise inherent to any plot depicted on the big screen. More Skywalker Sound than Jon Brion, if you will.
The end result of their synaesthetic query is a powerful discography (including the duo's magnum opus double-LP from 2001, Brownout) showcasing extraordinarily complex electronic music founded expressly upon textural nuance and forward-thinking aural architecture. -- Matt PreiraNext Page
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