• Genre: Action/Adventure, Animation, Comedy
  • Release Date: 09/29/2006
  • Running Time: 100 mins
  • Director: Roger Allers, Jill Culton, Anthony Stacchi
  • Cast: Martin Lawrence, Ashton Kutcher, Debra Messing, Jon Favreau, Billy Connolly, Fergal Reilly
  • Producer: Christopher Jenkins, Michelle Murdocca
  • Writer: Steve Bencich, Ron J. Friedman
  • Distributor: Sony Pictures
  • Offical Site: Click Here
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Box Office

  1. Tropic Thunder, 14.6 million, 86.9 million
  2. The Dark Knight, 26.1 million, 441.6 million
  3. Pineapple Express, 23.2 million, 41.3 million
  4. Babylon A.D., 11.5 million, 11.5 million
  5. The Dark Knight, 11.1 million, 504.8 million
  6. The Mummy: Tomb of the Dragon Emperor, 16.5 million, 71.0 million
  7. The House Bunny, 10.2 million, 29.7 million
  8. The Sisterhood of the Traveling Pants 2, 10.7 million, 19.6 million
  9. Traitor, 10.0 million, 11.5 million
  10. Step Brothers, 9.1 million, 81.1 million
  11. Death Race, 7.9 million, 24.7 million
  12. Mamma Mia!, 8.2 million, 104.1 million
  13. Disaster Movie, 6.9 million, 6.9 million
  14. Journey to the Center of the Earth, 4.9 million, 81.8 million
  15. Hancock, 3.3 million, 221.7 million
  16. Mamma Mia!, 5.4 million, 132.5 million
  17. WALL-E, 3.1 million, 210.2 million
  18. Pineapple Express, 4.4 million, 80.8 million
  19. Swing Vote, 3.1 million, 12.0 million
  20. Star Wars: The Clone Wars, 3.8 million, 30.7 million
Movie Title, Weekly Earnings, Total Earnings

Open Season

A pleasantly restrained Martin Lawrence voices the likable grizzly-bear hero of this computer-generated feature. Raised by a ranger, he's lost when exiled to the woods, thanks to a wild-eyed mule deer (Ashton Kutcher, channeling Donkey from Shrek). As is usual in computer animation, the film's look is overbright, its green world appearing as natural as supermarket produce under fluorescents. Directors Roger Allers and Jill Culton don't trust their material in the two big comic sequences, a sugar-fueled rampage in a convenience store and a flood, and cut them too quickly for all the jokes to register. On the plus side, Open Season enjoys a clear narrative, real rooting interest, and good interspecies rapport. On the downside, there's a surfeit of cruel bunny-rabbit gags. The film ends with a goggle-eyed rabbit being thrown right into the camera. Are we watching a Shrek knockoff, or Fatal Attraction? — Gregg Rickman

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