BEST ART CINEMA
This ain't the Waverly in Greenwich Village or anything, but it's as close as Miami gets. Part of the pleasure of going to the Cosford is meandering through that gorgeous, lush (and very non-NYC) University of Miami campus. The magic room on the second floor of Memorial Hall is where we get to see, a year or two after the New York crowd does, the recent labors of European directors and their counterparts in the Americas and elsewhere. Among the films on Cosford's multinational marquee this year were French director Jean-Pierre Ameris's Bad Company, a tale of twisted adolescent love and sex; Runaway, an English-Iranian documentary by Kim Longinotto and Ziba Mir-Hosseini set in a women's shelter in Tehran; and Israeli director Joseph Cedar's Time of Favor, a drama involving a Jewish soldier who plans a terrorist attack in Jerusalem. And let's not forget the latest screen gems from Canada. "Maelström [director Denis Villeneuve's 2001 opus] is the most celebrated work in French Canadian film history," Cosford's program guide proclaims. The theater screens two films each week. Movie nights are Friday through Sunday. The downside to the Cosford: It's closed during the summer. The schedule is online at www.miami.edu/com/cosford. Admission is five dollars for the general public, three bucks for senior citizens and university employees, and free for UM students. Take Granada Boulevard into the university and look for the signs, which will take you to Campo Sano Avenue and the parking lot. Best to call for directions.
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