An actor's success in a dramatic role can fall into one of two categories: the ability to make the unbelievable believable, and the ability to make the believable unbelievably incredible. Bridget Connors managed to do both in her role as a young Jewish woman dying of a terminal illness. That's the believable part. Rachel's plight easily could have been a case study in Harold S. Kushner's book When Bad Things Happen to Good People. She expressed all the predictable emotions and asked all the right metaphysical questions. The not-so-believable part is the conversion experience she had, which was facilitated by her sister, a devout member of the Christian Science faith. Believable or unbelievable, Connors brought something magical to the role from the moment she stepped onstage. Her ability to be simultaneously earthy and ethereal left theatergoers feeling as though they were seeing a tragedy for the first time.
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