Much of Bonga's music has been called semba, an Angolan precursor to Brazilian samba, and there's some of that on Kaxexe (In Hiding), most notably in "Marimbondo," which comes across as a samba with the volume knob turned slightly down. But there's more than just that. "Vira Moda" and "Samania" hint at Congolese soukous and even Afro-Caribbean merengue and calypso, and ballads such as "Moname" and the title track evoke the Cape Verdean singer Cesaria Evora and the lush mournfulness of Portuguese fado. Despite its pervasive melancholy, the music on Kaxexe radiates a stately grace. It's as if Bonga intends to pull his countrymen out of their troubles through his music.