Down and Out in Baltimore

Very little appears to be happening in some of Jamilah Abdul-Sabur’s imagery, and perhaps that is precisely her message. For her project, opening tonight at 6:00 at Diaspora Vibe Gallery, the young artist documented people as they navigated down-at-the-heels sections of Baltimore, attempting to focus on the socioeconomic disparities among...

By Carlos Suarez De Jesus

August 3, 2006

[
        {
          "name": "Air - MediumRectangle - Inline Content - Mobile Display Size",
          "component": "19274298",
          "insertPoint": "2",
          "requiredCountToDisplay": "2"
        },{
          "name": "Editor Picks",
          "component": "17482312",
          "insertPoint": "4",
          "requiredCountToDisplay": "1"
        },{
          "name": "Inline Links",
          "component": "18711090",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Air - MediumRectangle - Combo - Inline Content",
          "component": "17482310",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Inline Links",
          "component": "18711090",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        },{
          "name": "Air - Leaderboard Tower - Combo - Inline Content",
          "component": "17482313",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        }
      ]

Very little appears to be happening in some of Jamilah Abdul-Sabur’s imagery, and perhaps that is precisely her message. For her project, opening tonight at 6:00 at Diaspora Vibe Gallery, the young artist documented people as they navigated down-at-the-heels sections of Baltimore, attempting to focus on the socioeconomic disparities among many of that city’s residents. Typically her protagonists find themselves stuck in very bleak spaces. They also seem helpless and unable to escape their dreary surroundings. A man lies on his back in an anonymous interior, his figure outlined by a nimbus of broken glass. A young fellow stands in a hallway, listlessness masking his face. A closeup of a woman frames her against a building full of shattered windows. Abdul-Sabur’s “... believe, in what?” features video, photography, and installation depicting three characters and their interactions within an abandoned Baltimore factory. The gritty exhibit is presented as part of the gallery’s new Off the Wall/Experimental Lab Series organized to engage audiences in nontraditional ways. Call 305-573-4046, or visit www.diasporavibe.net.
Fri., Aug. 4

Become A Member

BEFORE YOU GO...
Can you help us continue to share our stories? Since the beginning, Miami New Times has been defined as the free, independent voice of Miami — and we'd like to keep it that way. Our members allow us to continue offering readers access to our incisive coverage of local news, food, and culture with no paywalls.