Best Author - 2012
Ana Menéndez's fourth book, Adios, Happy Homeland!, is structured as a collection of stories by Cuban writers spanning several decades. Though the stories are presented as unrelated, each one slyly shifts into the next and the different voices build to a chorus trying to make sense of what it is to leave home. The book isn't about where people come from but where they go when their homeland ceases to be their own. One boy thinks Miami is "someplace in the sky" after his father "turned him to face the smell of the ocean and pointed up through the leaves, [saying,] 'Miami is that way.'" Elián González haunts several sections, but otherwise the book points outward from Cuba in as many directions as there are stories. Grifters import luxury chocolates instead of food for children, Miami office drones swap Castro speeches for cubicle-tacked slogans ("Become a possibilitarian!"), and men back in Cuba grow wings. Borges and Bolaño are obvious influences, and though Cuba is present on every page, this is a book of and about Miami. Menéndez spent years as a Miami Herald reporter and columnist, but she wrote most of this book in the Netherlands and continues to split her time between Maastricht and Miami. Her work offers a stunning glimpse of a city often too occluded by its own magic to be seen from within. It's an essential read for anyone who has forgotten the many ways Miami shifts to fit the dreams of its every new arrival.