Carl is a great performer. His band has played at Monty's for many years, and I have worked there as a bartender for some of those years. He brings a great crowd and keeps my evenings jammin' at the bar. Thanks Carl!
Best Caribbean Band Miami 2007 - Carl Jacobs
In the Eighties, Carl and Carol Jacobs were the lead singers of the band Shandileer, and they were stars on the calypso scene in Trinidad and Tobago. They came up alongside luminaries like David Rudder and Charlie's Roots, in an era when calypso was still about lyrical content and pushing the music into new forms of expression. Their hit songs "Pressure," "Luv Up," "Scandal," "Savage," and "We Wanna Live" were popular on Caribbean airwaves. But calypso is a fickle and seasonal music. "Home is a sweet place, but it's a small place," Carl Jacobs says. "By the end, we had done every club, every party." To provide for their growing family, the Jacobses moved to Miami. "We just fell in love with Miami," Carl says. "It's like a home far away a home with green money. It didn't take me long to get work here. Because and I don't want to brag the other calypso bands that we met here were on a little kind of tourist level. But we were a professional unit. Our sound was very different." Carol and some of the kids have moved back home to Trinidad, but Carl's residency at Monty's Raw Bar in Coconut Grove has continued. If you stop by the often-bustling waterfront eatery on Friday nights, or almost any time Saturdays and Sundays, you'll find the troubadour with the distinctive green eyes and husky voice entertaining the public. He's now 54 years old, and his hair is turning gray. But his voice is still as unforgettable and resonant as ever. He doesn't play his own hits as often, with his repertoire consisting mostly of calypsofied cover songs. But he plans to start incorporating more of his own material into the weekend shows. He stays young by collaborating with the new generation of calypsonians. His latest album features a duet with Maximus Dan, and a recent experience during this year's Carnival in Trinidad made him realize how much he still means at home: "I played at Machel Montano's big fete this year, and so many young people came up to me after, calling me 'Uncle Carl' and telling me how much they loved my performance. It was so surprising to me. It really is one culture, you know. One country, one music."