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BEST INNER-CITY POET Miami 2003 - Trikky

Overtown

In Tap Tap one night, talking about the successful poet Rashida Bartley, we became aware of a series of horrified snufflings and belchings, air expelled in violent ssssss's, denoting high dudgeon and street-level contempt. Looking around we saw a purplish-colored fellow in seamed black rags, but with a Ritmo wristwatch and red leather Tiffany's journal, small and boiling, like a fissure in a hotspring. When he had our attention he heightened his voice girlishly: For all tha mo-ments wheeen drrreams were not enuff/ to taalk me into seeing da future.... Trikky winked and scrambled closer over the stools, conspirial-voiced now: "See, even dat crap she write can be im-proved if you stretch and break consonants and riddems, twist da spellin's to sound like brakes squealin' an bumpers scrapin' over dem dead O'town lies, mistuh..." He raked our faces with a steel-comb look: Yeah, I did Rimbaud a thousand years ago had Maldoror's ass/ in my kitchen glass Walt Whitman messed and funk-skank blessed y'all tryin' to write what we sow. Trikky asked for our business cards, accepted a double Jameson's, and said he'd call next time he and his buddies slammed.

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