Thomas was outstanding as Libby Price, a world-weary black woman adrift in the Southern racial struggles of the Sixties in this interesting production. ("Bee-luther-hatchee" is early twentieth-century African-American slang for a faraway, damnable place, the next station after the stop for Hell.) This was the New York-based actress's first stop in South Florida, and her emotionally compelling work was a model of simplicity and clarity, and left an indelible mark on the memory. With more such roles, maybe we'll be fortunate enough to see more of Thomas on our stages.