This Peruvian native likes intimacy. He uses words (English and Spanish), everyday items, penciled sketches, postcard-size spaces, kinetic video, even entire houses to bring us into the world of the private life. Cordova has described his art as a diary, but his personal life reflects our own colorful, diverse, alienated Miami life, which is one reason his works are so memorable. He's only in his early thirties but already he has left his mark all over our city. His miniature paintings are his trademark so far, but you've encountered Cordova in many other forms. He was part of Miami Art Museum's December video installation (along with an earlier MoCA video show), and his arrangements incorporating stereo bits and car tires were an ingredient in the Kevin Bruk Gallery's "Summer Tossed Salad" exhibit. Cordova has also joined the growing ranks of artists-as-curators. He organized the creatively titled and executed "You were always on my mind" at Ambrosino Gallery, and together with artist Eugenia Vargas took over her home in North Miami and filled it with the intimate and quirky works of seventeen local artists for "Homewreckers: It's Over," one of Miami's first "home shows." For being both at the forefront of creating art and standing behind interesting local artists, Cordova gets our nod this year.