Really, this is more an award for founder/director Robert Rosenberg than it is for a collection of films. As we saw this year with the Miami Film Festival, there's more to creating a successful event than meets the camera's eye. Rosenberg started his fest four years ago with a combination of love, enthusiasm, a good curatorial eye, and a healthy respect for organization. That great mix shows. Each year the festival has grown, but at a controllable pace. The offerings are not so disparate as to lose cohesion, but fresh enough to give us something out of the ordinary. Films were selected well in advance, as were the dates and times they would screen. Thematically this year the issue of identity broke new ground -- gone are those teenage coming-out stories; in are ones about gay men falling for straight women. Not all the films worked, but the festival itself has a firm grasp of its own identity, the best template indeed.
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