The Best Picture mixup at this year's Oscars might be the craziest thing to ever go down on the Academy Awards stage. But it didn't even rank among the weirdest things that happened in Miami's film scene this year, thanks to the Borscht Film Festival. For the tenth edition of its irregularly scheduled fest, the Borscht collective — a group of young filmmakers devoted to celebrating and sharing Miami's essential strangeness, and also responsible for introducing Moonlight's creators to each other — planned five days of hilarious and heartbreaking events and film screenings. They staged the festival's death, holding a funeral service at a Little Havana mortuary. They brought Animal Collective to the New World Center, a venue that normally hosts classical symphonies, to play trippy tunes accompanying videos of coral having sex. They rode Jet Skis across Biscayne Bay to a screening of the Kevin Costner anti-classic Waterworld. And if Borscht's events were inspired, the films the collective produced were inspiring. At the main screening, viewers saw a documentary about a dude who got internet-famous by filming videos of himself feeding deer in his backyard; a gritty neon drama about a violent Manila gang; and the short, animated tale of a Miami manicurist. One film showed artist Antonia Wright's naked body crashing through a glass pane in slow motion, over and over, more reverent, violent, and meaningful with each repetition. By the time the calendar hit Borscht's final day, which coincided with the Oscars, Moonlight's unorthodox win felt not only justified but also perfectly on trend.