Best of Miami®

Best Of 2016


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Readers' Choice


Best Of :: Arts & Entertainment

Best Small Music Venue
Courtesy of Bardot

Big things come in small packages, and stellar performances come without a stage. Such must be the philosophy behind Bardot. For nearly seven years, this hipster hideaway has been home to some of the most intimate and memorable performances across genres and styles, from rappers like Danny Brown and Jonwayne to DJs like James Murphy and Gaslamp Killer and even electronic bands like Yelle and Holy Ghost. Named for '60s sex kitten Brigitte Bardot, the venue features an interior decorated with trippy projections and NSFW images of girls getting down and dirty. Smoking is allowed inside, and you'll likely breathe in a few varieties of smoke, but it all adds to the naughty nightlife atmosphere. A pool table sits in the back, a few couches for VIP tables and general lounging are scattered about, and the bookings are consistently next-level. That's why Consequence of Sound recently named Bardot the 83rd-best music venue in the nation. Not bad for a 300-capacity hole in the wall in midtown.

3456 N. Miami Ave., Miami, 33127
Best Art Gallery
Yeelen Gallery
Courtesy of Yeelen Gallery

Little Haiti is beginning to burst at the seams with new life. As galleries move north from Wynwood, this cultural enclave is quickly becoming the center for high art in the Magic City. One place that stays true to quality work, artists, and the neighborhood is Yeelen Gallery. It has been recognized by Vogue as a hidden gem to visit during Art Basel, and mentioned in the New York Times, so director Karla Ferguson and her husband, painter Jerome Soimaud, have much to be proud of. His exhibition "Black Freedom" described the faces and stories of Little Haiti in charcoal and graphite on large-scale canvases. This gallery has a longer history in the area than others that have popped up and is dedicated to "contemporary urban culture." It pushes back against gentrification by showing pieces by international artists who make work that speaks to both an art crowd and the neighborhood's unique mix of cultures. Yeelen concentrates not only on art but also on social practice, making it more than just a place to watch the walls.

Readers' choice: Wyn 317

294 NW 54th St., Miami, 33127
Best Artist
Farley Aguilar
Courtesy of the artist and Spinello Projects
The Protest (2015) by Farley Aguilar

It's not typical that a self-taught artist dude, learning how to mix oils in his old Edgewater apartment, hat on head, glass of vodka in hand, ends up ten years later selling out booths at Volta and Scope art fairs. But Farley Aguilar is no typical man. He possesses true talent. Not only has his obsessive nature served him well in developing his skill, but also his critical eye has continued to improve him. The Nicaraguan-born, Miami-raised prodigy didn't excel at Southwest Miami Senior High but found inspiration poking around the works of philosophers at the University of Miami Law Library — a school he did not attend. As an outsider artist, his images are cinematic, with spooky scenes and stories ready to be told. The colorful canvases feature humanity at its most haunting and warped. But you can't stop looking. A loner, Aguilar is forever critiquing the mob mentality and finding new ways to explore this human tendency he'll never understand. This is an artist whose brakes will not be pressed anytime soon. Expect him to keep on trucking all the way to the top.

Best Gallery Exhibition
Bik Van der Pol's
Courtesy of PĂ©rez Art Museum Miami

The most surprisingly touching show this past year came with birds — live parrots to be exact. Bik Van der Pol is actually a Dutch couple: Liesbeth Bik and Jos Van der Pol. They create postmodern work that speaks both to the location where it's being shown and to the environment. So in response to the asinine move by the Florida Department of Environmental Protection to prohibit use of the words "climate change" (which officials are now disputing), the artists created an installation at PAMM that highlighted the issue. They used live parrots in "Speechless," which was on display August 13, 2015, through February 21, 2016, and played T.S. Eliot's The Wasteland to these feathered dinosaurs. But the birds demonstrated their own personalities and let the love light shine. They sang songs from the American songbook and danced and formed attachments. In some ways, the most magnificent thing about the show was that it brought viewers closer to the natural world through the human-like qualities of these creatures. Though they returned home to Simbad's Birds & Pets, they will forever have left behind the message that climate change is real and that protecting the natural world is an essential part of life here on Earth.

1103 Biscayne Blvd., Miami, 33132
Best Museum Exhibition
Courtesy of HistoryMiami

Tim Chapman is an old-school journalist. He began photographing at a young age during Miami's first wave of Cuban immigration in the 1960s. For decades after that, he consistently captured the Magic City's seedy underbelly while working at the Miami Herald. HistoryMiami's "Newsman: The Photojournalism of Tim Chapman," curated by another longtimeHeraldphotographer, Al Diaz, honors the lensman's storied career and commitment to documenting South Florida history. The exhibit features Chapman's life's work, which he donated to the museum in 2013, as well as cameras, press passes, notebooks, and other artifacts. Chapman's photos, which will be shown through August 14, 2016, capture the essence of some of Miami's most tumultuous moments. One shot shows crack merchants trying to climb down from the top of Coconut Grove's Mutiny Hotel after they hear a distant siren. Another displays a Cuban baby being hoisted in the air after arriving at Eglin Air Force Base during the Mariel Boatlift. For Chapman, these moments weren't just news; they were the story of mankind in the subtropics.

101 W. Flagler St., Miami, 33130
Best Book-Based Exhibition
Bryan Zanisnik's
Courtesy of Locust Projects

No one threatens a lawsuit better than Republican presidential candidate Donald Trump. The racist cheese doodle hands them out like bite-size candies on Halloween. Of course, for every asshole, there is an equal and opposite jokester. If Trump is the best lawsuit threatener, New York-based artist Bryan Zanisnik is the world's best lawsuit bluff-caller. He was slapped with a cease-and-desist order by author Philip Roth in 2012 the very first day of a five-week performance piece that involved the artist's silently reading one of Roth's works in a clear container while baseball cards and uncirculated U.S. currency swirled in the air around him. Rather than back down, Zanisnik stuck his tongue out at the author and finished his series. Roth threatened a lawsuit but never did a thing — just like Trump. It left an impression on Zanisnik, though. So this past January 30, when Zanisnik debuted his latest installation at Locust Projects, the whole thing revolved around Roth's obsession with control and the artist's intent to stick it to him. Zanisnik built a forest of stucco pillars in Locust Projects' main space, each featuring tear-away holes that revealed hundreds of books written by and about Roth. It is a daring and hysterical work, and so far, Roth has been silent. Hip hip hooray, art lives to see another day.

3852 N. Miami Ave., Miami, 33127

Best Small Music Venue: Bardot


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