This little seen but deftly mounted exhibit, organized at the now-moribund Tachmes space by indie curator Jorge Hulian, featured 37 haunting photographs by Venezuelan artist Luis Brito. The shutterbug transported viewers into the bizarre world of his compatriot Armando Reverón, who died in 1954 following a steady decline into dementia. One of Latin American art history's most enigmatic figures, Reverón was known for creating a harem of life-size, anatomically correct muses out of burlap sacks and sundry detritus scavenged from garbage heaps. Clad in a loincloth, he lived in a ramshackle compound he christened El Castillete, created from palm fronds and trash, where he communed with nature and led a near-aboriginal existence. Hailed as one of the first multimedia artists of his era, the mad genius used his dolls as models for his paintings and was rumored to have consummated his relations with the moldy muses, later claiming to "fathering children" with them. Brito documented the fetid, moth-eaten carcasses of Reverón's harem for posterity, and the results on view at the Tachmes space, painted in gloomy twilight tones for the occasion, were hair-raising.

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