Best of Miami®

Best Of 2004

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Best Of :: Arts & Entertainment

BEST REGGAE RADIO PROGRAM

As weekend fans of WLRN-FM (91.3)'s venerable Sounds of the Caribbean show know, all is not copacetic in the world of Miami reggae radio. In fact there is no reggae radio as fascinating as the show put on by DJ Ital-K since his program was terminated in October. Kevin "Ital-K" Smith might not be spinning reggae nuggets on air, but he is waging war with the public radio station, which is run under the auspices of Miami-Dade Public Schools. Smith's fight, made even more rancorous after he filed a complaint with the Equal Employment Opportunity Commission charging WLRN with racial discrimination, is entertainment enough. Who would have thought that such a sweet program could lead to such bitterness? To hear the best in reggae warfare, tune in to the monthly broadcasts of the Miami-Dade School Board meeting on LRN. Smith, technically a suspended employee of the school district, has come before the board at least four times asking for an explanation as to why he was yanked from the radio. He has yet to get an answer, and his repeated requests for meetings have been dismissed, promising more great debate shows as he continues his struggle. It's hoped his old show will be returned and everyone can get back to the island grooves. Meanwhile, though, the hottest sounds in reggae come from the bickering and battling between a DJ and an institution.

BEST NEW CULTURAL TREND

When the night ends, it doesn't matter if the artwork altered anyone's perception because, as they say, it was all good. Rocket Projects, at 3440 N. Miami Ave., was at the vanguard of this lowbrow cultural movement, always providing complimentary booze, DJ sounds, and even, on one chilly night, free barbecued chicken out back. OBJEX artspace's soirees tended to be a higher form of lowbrow, but with new digs at 203 NW 36th St., this gallery gets credit for taking the art party movement into ever deeper depths of Wynwood. Lawrence Gartel went even higher (i.e., lower) for an exhibition curated in conjunction with David Lombardi's Roving Fridays. This show, Cyberotica, featured digital art inside the warehouse and painted ladies (literally) who were shaking what they had on a rickety little runway out back. Free vodka drinks, natch. There were many other shining examples of this exciting new trend, but we don't remember them.

BEST NEW MUSIC TREND

Years ago it seemed every kid wanted a guitar. Then all those kids began to trade their guitars in for two turntables, speakers, and a mixer. Some New Jacks even skipped the actual mechanisms, opting for computer programs like ReBirth or Fruity Loops. During the late Nineties, only real-deal rockers dared to take actual guitars and drums onto the stage or into the studio. It was the cut-and-paste, Pro Tools antics of DJs and the 808 drum machine/synthesizer that governed youth-oriented music. These days the role of knobs and computer keyboards in music production are increasingly minimized by objects that were considered rather archaic: guitars, horns, and actual drums (not drum machines). Led by groups such as the Spam Allstars, the modern elements (DJ, rapper, electronic gadgetry) are largely backed by traditional, organic instruments. Local hip-hop groups such as Buddha Gonzalez and the Headless Chihuahuas, Brimstone 127, and Council of the Sun have all put the prerecorded sample on the back burner in favor of the warmer, more dynamic sounds of live instrumental performances. It could be a cue for the comeback of other logical elements of music makers ... like talent.

BEST NEW MUSIC TREND

Years ago it seemed every kid wanted a guitar. Then all those kids began to trade their guitars in for two turntables, speakers, and a mixer. Some New Jacks even skipped the actual mechanisms, opting for computer programs like ReBirth or Fruity Loops. During the late Nineties, only real-deal rockers dared to take actual guitars and drums onto the stage or into the studio. It was the cut-and-paste, Pro Tools antics of DJs and the 808 drum machine/synthesizer that governed youth-oriented music. These days the role of knobs and computer keyboards in music production are increasingly minimized by objects that were considered rather archaic: guitars, horns, and actual drums (not drum machines). Led by groups such as the Spam Allstars, the modern elements (DJ, rapper, electronic gadgetry) are largely backed by traditional, organic instruments. Local hip-hop groups such as Buddha Gonzalez and the Headless Chihuahuas, Brimstone 127, and Council of the Sun have all put the prerecorded sample on the back burner in favor of the warmer, more dynamic sounds of live instrumental performances. It could be a cue for the comeback of other logical elements of music makers ... like talent.

BEST LOCAL JAZZ ARTIST

Okay, so it's not like he plays upstairs at the Van Dyke every other weekend. But when you have a jazz deity living in your back yard, you gotta pay props and do what you can to coax the cool cat out of the bag. Or in this case, out of his Aventura condo and onto a bandstand near you. Jazz fans want him to play as often as possible -- eight nights per week would do. Sparked by a rare planetary alignment or some such harmonically auspicious convergence, the fiery grace of Wayne was upon us for the recent JVC Jazz Festival on Miami Beach, but his live concerts are as rare as Florida panthers. In case you didn't know, Mr. Shorter is a sax player and composer of the highest order, a former member of the Jazz Messengers -- the best Miles Davis band ever -- and Weather Report, and, in general, a living legend. Let us give thanks, for he is among us.

BEST LOCAL JAZZ ARTIST

Okay, so it's not like he plays upstairs at the Van Dyke every other weekend. But when you have a jazz deity living in your back yard, you gotta pay props and do what you can to coax the cool cat out of the bag. Or in this case, out of his Aventura condo and onto a bandstand near you. Jazz fans want him to play as often as possible -- eight nights per week would do. Sparked by a rare planetary alignment or some such harmonically auspicious convergence, the fiery grace of Wayne was upon us for the recent JVC Jazz Festival on Miami Beach, but his live concerts are as rare as Florida panthers. In case you didn't know, Mr. Shorter is a sax player and composer of the highest order, a former member of the Jazz Messengers -- the best Miles Davis band ever -- and Weather Report, and, in general, a living legend. Let us give thanks, for he is among us.

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BEST REGGAE RADIO PROGRAM: DJ Ital-K versus WLRN

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