Best of Miami®

Best Of 2004

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Best Of :: Arts & Entertainment

BEST MUSICAL COMEBACK (MALE)

In ancient times, folks would gather around a record player to hear popular songs reworded into nasty, funky, sassy blasts of musical hilarity by a guy calling himself Blowfly. A janitor who took the bus to work at Pandisc Records for a time, Reid, a fine singer of legitimate songs as well as a comic wizard, let that label's boss, Bo Crane, record his shtick and release a number of Blowfly records. (Georgia-born Reid's nickname is another word for "maggot," so you can imagine how far he goes in his lyrics.) Not only were they gleefully naughty, but Blowfly platters became increasingly difficult to find. After all, these LPs seemed barely legal as well as immoral, and perhaps even fattening. All this was before 2 Live Crew changed music forever, partly through a Supreme Court ruling that parody is protected speech, a decision rendered after the Crew mocked Roy Orbison's "Oh, Pretty Woman" and got sued by the singer's estate. Blowfly kept at it, but a few recordings and a video were about as much of a comeback as he could muster in the Nineties, when cussing and fucking with bitches became the norm for many artists. Then a few months ago word got out that regular soul singer/songwriter Clarence Reid had donned his stinger and weird getups once more to perform live as Blowfly. Let's hope he can keep it up longer and harder this time.

BEST NEW CULTURAL TREND

When the night ends, it doesn't matter if the artwork altered anyone's perception because, as they say, it was all good. Rocket Projects, at 3440 N. Miami Ave., was at the vanguard of this lowbrow cultural movement, always providing complimentary booze, DJ sounds, and even, on one chilly night, free barbecued chicken out back. OBJEX artspace's soirees tended to be a higher form of lowbrow, but with new digs at 203 NW 36th St., this gallery gets credit for taking the art party movement into ever deeper depths of Wynwood. Lawrence Gartel went even higher (i.e., lower) for an exhibition curated in conjunction with David Lombardi's Roving Fridays. This show, Cyberotica, featured digital art inside the warehouse and painted ladies (literally) who were shaking what they had on a rickety little runway out back. Free vodka drinks, natch. There were many other shining examples of this exciting new trend, but we don't remember them.

BEST NEW MUSIC TREND

Years ago it seemed every kid wanted a guitar. Then all those kids began to trade their guitars in for two turntables, speakers, and a mixer. Some New Jacks even skipped the actual mechanisms, opting for computer programs like ReBirth or Fruity Loops. During the late Nineties, only real-deal rockers dared to take actual guitars and drums onto the stage or into the studio. It was the cut-and-paste, Pro Tools antics of DJs and the 808 drum machine/synthesizer that governed youth-oriented music. These days the role of knobs and computer keyboards in music production are increasingly minimized by objects that were considered rather archaic: guitars, horns, and actual drums (not drum machines). Led by groups such as the Spam Allstars, the modern elements (DJ, rapper, electronic gadgetry) are largely backed by traditional, organic instruments. Local hip-hop groups such as Buddha Gonzalez and the Headless Chihuahuas, Brimstone 127, and Council of the Sun have all put the prerecorded sample on the back burner in favor of the warmer, more dynamic sounds of live instrumental performances. It could be a cue for the comeback of other logical elements of music makers ... like talent.

BEST NEW MUSIC TREND

Years ago it seemed every kid wanted a guitar. Then all those kids began to trade their guitars in for two turntables, speakers, and a mixer. Some New Jacks even skipped the actual mechanisms, opting for computer programs like ReBirth or Fruity Loops. During the late Nineties, only real-deal rockers dared to take actual guitars and drums onto the stage or into the studio. It was the cut-and-paste, Pro Tools antics of DJs and the 808 drum machine/synthesizer that governed youth-oriented music. These days the role of knobs and computer keyboards in music production are increasingly minimized by objects that were considered rather archaic: guitars, horns, and actual drums (not drum machines). Led by groups such as the Spam Allstars, the modern elements (DJ, rapper, electronic gadgetry) are largely backed by traditional, organic instruments. Local hip-hop groups such as Buddha Gonzalez and the Headless Chihuahuas, Brimstone 127, and Council of the Sun have all put the prerecorded sample on the back burner in favor of the warmer, more dynamic sounds of live instrumental performances. It could be a cue for the comeback of other logical elements of music makers ... like talent.

BEST LOCAL JAZZ ARTIST

Okay, so it's not like he plays upstairs at the Van Dyke every other weekend. But when you have a jazz deity living in your back yard, you gotta pay props and do what you can to coax the cool cat out of the bag. Or in this case, out of his Aventura condo and onto a bandstand near you. Jazz fans want him to play as often as possible -- eight nights per week would do. Sparked by a rare planetary alignment or some such harmonically auspicious convergence, the fiery grace of Wayne was upon us for the recent JVC Jazz Festival on Miami Beach, but his live concerts are as rare as Florida panthers. In case you didn't know, Mr. Shorter is a sax player and composer of the highest order, a former member of the Jazz Messengers -- the best Miles Davis band ever -- and Weather Report, and, in general, a living legend. Let us give thanks, for he is among us.

BEST LOCAL JAZZ ARTIST

Okay, so it's not like he plays upstairs at the Van Dyke every other weekend. But when you have a jazz deity living in your back yard, you gotta pay props and do what you can to coax the cool cat out of the bag. Or in this case, out of his Aventura condo and onto a bandstand near you. Jazz fans want him to play as often as possible -- eight nights per week would do. Sparked by a rare planetary alignment or some such harmonically auspicious convergence, the fiery grace of Wayne was upon us for the recent JVC Jazz Festival on Miami Beach, but his live concerts are as rare as Florida panthers. In case you didn't know, Mr. Shorter is a sax player and composer of the highest order, a former member of the Jazz Messengers -- the best Miles Davis band ever -- and Weather Report, and, in general, a living legend. Let us give thanks, for he is among us.

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BEST MUSICAL COMEBACK (MALE): Blowfly (Clarence Reid)

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