Best of Miami®

Best Of 2004

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Best Of :: Arts & Entertainment

BEST LOUNGE ACT

When they're not guzzling glowing Blue Hawaiians or tearing through their complimentary lobster plate at the Ramada Inn Melbourne, the fabulous ShuttleLOUNGE, kitschy crooning kings of Florida's Space Coast, can be found in Miami at equally glamorous venues such as the patio of Churchill's. Decked out in obligatory swinger uniform -- flammable polyester leisure suits or loud thrift-store blazers, hefty chains, dark wraparound sunglasses, Camel cigarettes dangling from their lips -- obnoxious vocalist/guitarist the Amazing Dik Shuttle and his unflappable sidekick, keyboardist Cassius Casio KRS "Lejuanlove" Sebastien Bacherat de la Fender Rhodes, throw down loungified renditions of popular tunes with a twisted lyrical bent. Interpol's "Obstacle 1" is morphed with Led Zeppelin's well-worn "Stairway to Heaven." OutKast's fresh "Hey Ya!" is topped off with the B-52's stale "Love Shack." A medley for lovers features the Clash's "Rock the Casbah," Pat Benatar's "Love is a Battlefield," and Steely Dan's "Peg." Like all self-respecting lounge lizards, the inexhaustible duo's set of "stylizations" can go on for hours, appealing equally to cocktail-sipping sophisticates and beer-swilling boors who like a little swagger and subversion with their listening ventures. Barmaid: another Blue Hawaiian. Pronto!

BEST NEW CULTURAL TREND

When the night ends, it doesn't matter if the artwork altered anyone's perception because, as they say, it was all good. Rocket Projects, at 3440 N. Miami Ave., was at the vanguard of this lowbrow cultural movement, always providing complimentary booze, DJ sounds, and even, on one chilly night, free barbecued chicken out back. OBJEX artspace's soirees tended to be a higher form of lowbrow, but with new digs at 203 NW 36th St., this gallery gets credit for taking the art party movement into ever deeper depths of Wynwood. Lawrence Gartel went even higher (i.e., lower) for an exhibition curated in conjunction with David Lombardi's Roving Fridays. This show, Cyberotica, featured digital art inside the warehouse and painted ladies (literally) who were shaking what they had on a rickety little runway out back. Free vodka drinks, natch. There were many other shining examples of this exciting new trend, but we don't remember them.

BEST NEW MUSIC TREND

Years ago it seemed every kid wanted a guitar. Then all those kids began to trade their guitars in for two turntables, speakers, and a mixer. Some New Jacks even skipped the actual mechanisms, opting for computer programs like ReBirth or Fruity Loops. During the late Nineties, only real-deal rockers dared to take actual guitars and drums onto the stage or into the studio. It was the cut-and-paste, Pro Tools antics of DJs and the 808 drum machine/synthesizer that governed youth-oriented music. These days the role of knobs and computer keyboards in music production are increasingly minimized by objects that were considered rather archaic: guitars, horns, and actual drums (not drum machines). Led by groups such as the Spam Allstars, the modern elements (DJ, rapper, electronic gadgetry) are largely backed by traditional, organic instruments. Local hip-hop groups such as Buddha Gonzalez and the Headless Chihuahuas, Brimstone 127, and Council of the Sun have all put the prerecorded sample on the back burner in favor of the warmer, more dynamic sounds of live instrumental performances. It could be a cue for the comeback of other logical elements of music makers ... like talent.

BEST NEW MUSIC TREND

Years ago it seemed every kid wanted a guitar. Then all those kids began to trade their guitars in for two turntables, speakers, and a mixer. Some New Jacks even skipped the actual mechanisms, opting for computer programs like ReBirth or Fruity Loops. During the late Nineties, only real-deal rockers dared to take actual guitars and drums onto the stage or into the studio. It was the cut-and-paste, Pro Tools antics of DJs and the 808 drum machine/synthesizer that governed youth-oriented music. These days the role of knobs and computer keyboards in music production are increasingly minimized by objects that were considered rather archaic: guitars, horns, and actual drums (not drum machines). Led by groups such as the Spam Allstars, the modern elements (DJ, rapper, electronic gadgetry) are largely backed by traditional, organic instruments. Local hip-hop groups such as Buddha Gonzalez and the Headless Chihuahuas, Brimstone 127, and Council of the Sun have all put the prerecorded sample on the back burner in favor of the warmer, more dynamic sounds of live instrumental performances. It could be a cue for the comeback of other logical elements of music makers ... like talent.

BEST LOCAL JAZZ ARTIST

Okay, so it's not like he plays upstairs at the Van Dyke every other weekend. But when you have a jazz deity living in your back yard, you gotta pay props and do what you can to coax the cool cat out of the bag. Or in this case, out of his Aventura condo and onto a bandstand near you. Jazz fans want him to play as often as possible -- eight nights per week would do. Sparked by a rare planetary alignment or some such harmonically auspicious convergence, the fiery grace of Wayne was upon us for the recent JVC Jazz Festival on Miami Beach, but his live concerts are as rare as Florida panthers. In case you didn't know, Mr. Shorter is a sax player and composer of the highest order, a former member of the Jazz Messengers -- the best Miles Davis band ever -- and Weather Report, and, in general, a living legend. Let us give thanks, for he is among us.

BEST LOCAL JAZZ ARTIST

Okay, so it's not like he plays upstairs at the Van Dyke every other weekend. But when you have a jazz deity living in your back yard, you gotta pay props and do what you can to coax the cool cat out of the bag. Or in this case, out of his Aventura condo and onto a bandstand near you. Jazz fans want him to play as often as possible -- eight nights per week would do. Sparked by a rare planetary alignment or some such harmonically auspicious convergence, the fiery grace of Wayne was upon us for the recent JVC Jazz Festival on Miami Beach, but his live concerts are as rare as Florida panthers. In case you didn't know, Mr. Shorter is a sax player and composer of the highest order, a former member of the Jazz Messengers -- the best Miles Davis band ever -- and Weather Report, and, in general, a living legend. Let us give thanks, for he is among us.

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BEST LOUNGE ACT: ShuttleLOUNGE

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