Email Author Roberta Morgan
Without a doubt, A Criminal Sorority provided me with one of the most entertaining evenings I've spent watching theater since I moved down here.... More >>
Playwrights often complain bitterly about the subjectivity of critics. A.R. Gurney, author of such classics as The Dining Room, has given several... More >>
'Tis the season to be jolly, go shopping, trim the tree, and light the candles. And to be falsely pious. Right this moment it's ultrachic to... More >>
While I am genuinely thrilled by the growth in the number of small theater companies and theatrical experiments cropping up in the local scene... More >>
It may sound surprising to some, but I have long suspected that David Mamet may one day be regarded as highly as Shakespeare is today: as a... More >>
There's a certain time in every would-be playwright's life when he or she feels compelled to imitate the so-called "absurdist" authors such as... More >>
When I first learned of David Cronenberg's plans to film the play M. Butterfly, I declared that the project was doomed to disaster. Now that the... More >>
Time is alarmingly relative. Anyone who is rapidly aging knows the truth of time's subjective effects. When you're ten or eleven, it seems as... More >>
As John Lennon and Paul McCartney once wrote: "I should've known better." Rock and roll has always worked best as anthems of youthful power and... More >>
On January 26, 1988 at the Majestic Theatre in New York, I was privileged to attend the opening of one of the greatest theatrical spectacles ever... More >>
I recently phoned a publicist friend of mine who moved here from Los Angeles about the same time I moved from New York -- in 1989 -- and told her... More >>
Without a doubt, fate led me to see in the same week the New Theatre's rendition of Jean Paul Sartre's No Exit and playwright William Inge's... More >>
When people in the South Florida theater community protest that the area is mainly interested in developing new plays instead of producing... More >>
When the long-awaited revival of Hair, the quintessential Sixties musical, opened in London two weeks ago, the critics unanimously agreed on one... More >>
All plays are not created equal. Apart from the obviously weak entries, there exist some works of "light" dramatic art suitable for a wide... More >>
The great Noel Coward once heard that a particularly dimwitted producer had blown his brains out. "Must have been rather a good shot," Coward... More >>
Although Hadleyburg, U.S.A. will have closed by the time you read this, ACME Acting Company's mistakes in choosing this play warrant a postmortem... More >>
The saying is well-known: there are three sides to every story. His side, your side, and the truth. In the interest of fairness to the theatrical... More >>
In the age of so few statesmen and so little great theater, I feel privileged to recommend New Theatre's production of Mountain, a three-person,... More >>
The singer who holds the vibrato on a note a bit too long. The dancer who takes three extra leaps. The piano player who tinkles around on one end... More >>
Over the years, various local theater educators, artists, and yours truly have tried to determine why Miami regards the dramatic arts as a sort of... More >>
In an essay called "The Decline of Quality," Pulitzer Prize-winning author Barbara Tuchman writes of Michelangelo, who locked all potential... More >>
An esteemed acting teacher named Richard Pinter, himself a student of the great coach Sanford Meisner, once succinctly explained to his students... More >>
When the Actors' Playhouse invited me to review their production of playwright Jane Wagner's dramatic triumph, The Search for Signs of Intelligent... More >>
A few empty parking spaces suddenly and miraculously available on Ocean Drive, combined with the paucity of openings around town, tell this... More >>
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