Melissa Anderson

Melissa Anderson is the senior film critic at the Village Voice, for which she first began writing in 2000. Her work also appears in the publications of the Voice’s film partner, Voice Media Group: LA Weekly, Denver Westword, Phoenix New Times, Miami New Times, Broward-Palm Beach New Times, Houston Press, Dallas Observer and OC Weekly.

Latest Stories

  • Depleting and clamorous, My King, the latest by Maïwenn, the mononymed maestra of emotional emesis, unwittingly imparts an obvious lesson: One person’s rakish charmer is another’s sociopath. The sovereign of the title is...

  • 21 days ago | Film Reviews

    Catherine Corsini’s lovely, sultry Summertime, a 1971-set tale about two women of different ages and class backgrounds who fall in love, celebrates erotic abandon but never loses its mind. Unlike Abdellatif Kechiche’s Blue Is the Warmest Color (20...

  • Catherine Corsini's lovely, sultry Summertime, a 1971-set tale about two women of different ages and class backgrounds who fall in love, celebrates erotic abandon but never loses its mind. Unlike Abdellatif Kechiche's Blue Is the...

  • The appeal of Kamikaze '89 is largely necrophilic: Wolf Gremm's sci-fi bibelot premiered in West Germany on July 16, 1982 -- one month after the death of its star, Rainer Werner Fassbinder, here in his final role as actor....

  • 2 months ago | Film Reviews

    Kindly allow this lengthy aside and conspiracy theorizing: I can’t start my review of Paul Feig’s redo of Ghostbusters without first mentioning the stupefying chaos that attended last Thursday evening’s press screening, the only one of two schedul...

  • The new Ghostbusters is mostly a tragic underutilizing of four of this country's funniest women — Melissa McCarthy, Kristen Wiig, Leslie Jones, and Kate McKinnon as the evil-ectoplasm battlers of the title, fighting to save a New...

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