Carlos Diaz, Founder of Cuba's Avant-Garde Teatro El Publico, Talks About Miami Project

Is anyone else feeling freaked out by East Coast earthquakes and hurricanes the size of Europe that reach all the way to Canada? Not to be alarmists or anything, but maybe it's time to stuff our belongings into our hybrids, pack a year's supply of organic trail mix, and navigate our way through the universe until we get to another planet where we can start all over, before our world starts looking like the landscape in If You're Going To Pull a Knife, USAlo.

In the gloomy, absurdist play by Carlos Caballero and Elizabeth Doud, a petroleum worker and a Disney World character actress fall in love in a ruined, polluted ocean. New Times spoke with Carlos Diaz, founder of the Cuban avant-garde theater company Teatro El Público and director of the play, about Samuel Beckett, directing theater in Cuba, and cultural exchange between our two countries. (Interview translated from Spanish.)

New Times:  What is If You're Going to Pull a Knife, Usalo?
Carlos

Diaz: We are using the text of different works of Beckett to create a

play that in a visual manner talks about the care that we need to put

into the sea and everything that has to do with the environment. It

talks about the relationship between a worker and a mermaid. The story

begins when they meet and continues until the mermaid leaves... it's about

two human beings who wait for change and realize that there is no day

in which they are happy.

What's the role of Samuel Beckett's work in the play?
We

use the text of Waiting for Godot, Happy Days, and Endgame, as a

function--without betraying the text of Beckett--to create a second story

with the purpose of the project.

Where did the idea for the project come from?
The

idea for the project came from the duo of actors Carlos Caballero and

Elizabeth Doud. They worked on this idea for 20 minutes, and then I came

in to realize the play of one hour and 10 minutes.

How did you know the actors? You currently live in Cuba, correct?
Yes,

Carlos worked with me in Teatro El Publico, for which I'm the director

[in Cuba]. I met Elizabeth at a theater festival I attended here last

Upcoming Events

year, when we brought the play Las Amargas Lágrimas de Petra von Kant. I

met Elizabeth and met up with Carlos, who had been a producer of Teatro

El Publico in Cuba. It's been a bit like working with family.

Scene from, If You're Going to Pull a Knife, USAlo.
Scene from, If You're Going to Pull a Knife, USAlo.

And what is Teatro El Publico?
Teatro

El Publico was founded 20 years ago. We've put on works from the

classics to combinations of different languages that allow us to

communicate with the public of today. We have a broad repertory. We've

spent 20 years I think working with the best of universal theater.

Do you sense any difference in directing plays here in Miami and in Cuba?
Look,

I think that theater is a communication that is the same in any place

where one goes; theater is the magic of the black box and communicating

with the public. And to me, it's been very comfortable working here in

Miami.

You probably heard about all of the controversy

surrounding Cuban musician Pablo Milanes's concert here. What's your

opinion on cultural exchange between our two countries?
I think, in

the best sense, that we need to fight for that cultural exchange. I

think that there shouldn't be silence on either shore, because people

should be able to get to know arts and culture from both here and there,

and be able to exchange.

Performances of If you're going to

pull a knife, USAlo take place September 8 through 10 at 8 p.m. and

September 11 at 5 p.m. at Miami-Dade County Auditorium (2901 W. Flagler

St., Miami). Tickets cost $20 general admission or $15 for students and

seniors. Call (305) 358-5885 or visit fundarte.us.

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