The Girl Whose Story We Cannot Follow

Related Content

• Oscars Fashion: The Good, the Bad, and the "Whaaat?"
  February 27, 2012
• End of Swedish Cult Hit
  November 18, 2010
• 92. Moqueca Brazileira at Pearl Restaurant & Lounge
  February 16, 2012
• 2012 Oscar predictions: How to win your office pool without really trying
  February 23, 2012
• Little Dragon at Grand Central October 22
  October 20, 2011

More About

• The Social Network
• Stieg Larsson
• Lisbeth Salander
• Gothenburg
• Rooney Mara

Like this Story?

Sign up for the Events Newsletter: What's happening in town? From underground club nights to the biggest outdoor festivals, our top picks for the week's best events will always keep you in on the action.

Privacy Policy Cancel Continue

When we first see Lisbeth Salander (Noomi Rapace) in The Girl Who Kicked the Hornet’s Nest, the final adaptation of Stieg Larsson’s “Millennium” trilogy, she is being transported to a hospital in Gothenburg, bloodied almost beyond recognition, the result of a bullet put in her brain by Zalachenko, her barbaric father, at the very end of Part II, The Girl Who Played With Fire. Her pummeled, gore-covered body was a recurring image in Hornet’s Nest predecessors, particularly the first, The Girl With the Dragon Tattoo, which seemed to get more sick kicks out of depicting the sexual and physical violence done to Lisbeth by the Men Who Hate Women (Larsson’s indelible original title for Dragon Tattoo) than condemning it. Hornet’s Nest quickly dispenses with the obligatory scenes of its tiny heroine’s traumatized body, including extreme close-ups of a small rectangle being cut out from her noggin on the operating table. Its bloated running time is filled up instead by a convoluted procedural whose plot hinges on the opening and closing of MacBooks, and an abundance of indistinguishable old and middle-aged evil, pale patriarchs in ties and sweater vests. Those who have been stirred by Lisbeth’s wrath and wiry might in the past will this time have to settle for a few minutes of her doing calisthenics while in stir, a bit of nastiness with a nail gun, and her biggest fuck-you to Scandi propriety: dressing in full leather fetish wear with Aqua-Netted mohawk and Clockwork Orange–inspired eye makeup during her trial. Limited to the facial expressions of perma-hate throughout the trilogy, Rapace has given her chiseled cheeks and coal-black eyes, burning with the intensity of a million midnight's suns, a thorough workout. (If The Social Network’s Rooney Mara, who will play Lisbeth in David Fincher’s Dragon Tattoo remake, can’t scowl as effectively, she at least comes with brand recognition: The Girl Who Inadvertently Inspired Facebook.)
Fri., Oct. 29, 2010