Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

National Features >

  • City Pages

    A Teabuggers' Odyssey

    A Minnesota boy's rise to power in America's right wing.

    By Andy Mannix

  • Riverfront Times

    Moon Lady

    Loved by everyone from Stereolab to Tony Kushner, the odd and enchanting Lucia Pamela was an outsider to remember.

    By Aimee Levitt

  • Phoenix New Times

    Dead to Rights

    Even in a Wild West state like Arizona, killing someone in self-defense is a complicated affair.

    By Ray Stern

One Piece at a Time

Share

  • rss

By P. Scott Cunningham

Published on July 15, 2009 at 3:01am

Contemporary art is too expensive for the average person. At best, it’s an innocuous diversion for bourgeoisie academics and the filthy rich. At worst, it’s a perverse justification for the inequities of capitalism.

If you believe any of these statements, you need to see the film Herb & Dorothy this Sunday at the Miami Art Museum. Herb Vogel, age 86, is a retired postal clerk. His wife, Dorothy, age 74, was for many years a librarian. Yet with just their meager combined salaries, they were able to amass one of the most impressive and important art collections in the world. Beginning in the ’60s, the couple purchased early pieces — one by one — from then-emerging artists such as Sol LeWitt, Richard Tuttle, Julian Schnabel, Jeff Koons, and Vito Acconci, and stored them wherever they could find space in their tiny Manhattan apartment.

Director Megumi Sasaki tells the story largely through the artists, who gush about the dedication and the unusually perceptive eye of the Vogels, a couple driven not by art or commerce, but by love. The film begins at 3 p.m. Tickets are free with museum admission, but seating is limited.
Sun., July 19, 3 p.m., 2009