Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

The Magic Eye

Share

  • rss

By Carlos Suarez De Jesus

Published on June 09, 2009 at 3:00am

During the past few decades, Leonard Krakovitch King has tinkered with the way we see ourselves. In 1972, the innovative Coconut Grove artist invented a contraption he calls the “Variable Form Image Reflector,” which uses concave mirrors to create fractal abstract forms that appear to move in the direction of the spectator.

Through the provocative pieces created by the Variable Form Image Reflector, King evokes ideas associated with transformation and metamorphosis, forging alluring visual combinations by placing simple objects in front of the mirrors until shapes and space combine. Circumnavigating one of his intriguing works, the viewer sees the abstract imagery shift and glide, inspiring a sensory dance that becomes more and more kinetically animated the longer one interacts with it.

This Wednesday at 6:30 p.m., the master of movement will once again deploy his optic constructions as he pops the cork on his new L. K. King Gallery.
Wed., June 17, 6:30 p.m., 2009