By Rebecca Bulnes
By Laurie Charles
By Chuck Strouse
By Lee Zimmerman
By Laurie Charles
By Falyn Freyman
By Hans Morgenstern
Vienna. Always culturally and politically modern, yet pleasingly anachronistic in many ways, Austria's low-slung capital is an amber cast of the 19th Century. But a little more than 200 years after the death of Wolfgang Amadeus, in that very city, along came DJs/producers Peter Kruder and Richard Dorfmeister — two names that went together as naturally as "Vienna Boys' Choir."
Working an analogue-to-digital signal chain of vintage synthesizers and dub saturation, Kruder & Dorfmeister established their DJ kicks and G-Stone(d) Recordings. They engineered remixes and the occasional original swatch with unprecedented control over a constantly shifting depth of field, providing the dewy, more down-tempo counterpoint to Berlin's Rhythm & Sound. And, then, as the millennium transposed, they let the trademark rest. They played occasional gigs but didn't release much Kruder & Dorfmeister material, until last summer's blissfully flush Shakatadoodub, three previously limited downloads culled from 1990s compilations.
Being less interactive hasn't meant being less active for Kruder & Dorfmeister, however. Kruder's recent projects include production for the Berlin-based International Deejay Gigolo Records; releasing the taut, floor-oriented single "Visions Ltd."/"Shine" under his own name; as well as assisting head Gigolo DJ Hell with the atmosphere and content of his Teufelswerk full-length, due out April 27.
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While Kruder and Hell were working elastic kosmiche melodies, Dorfmeister and old-school friend Rupert Huber, AKA Tosca, were putting together their largely instrumental No Hassle full-length, which will have its lushly populated stereo image presented live in surround sound.
Their appearance at Om Records' 15th-anniversary party is their sole WMC performance. And here the two will preview a new track as they come back to their warm hearth of running delay, shifting tones, and twisting musical story lines.