Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

The Pink Panther 2

Now playing.

Share

  • rss

By Ernest Hardy

Published on February 10, 2009 at 3:50pm

There are maybe two or three laugh-out-loud moments and a handful of chuckles to be culled from Steve Martin's overlong Pink Panther 2, the latest installment in the lackluster overhaul of Blake Edwards and Peter Sellers's iconic Pink Panther comedy franchise. That's as good as it gets. After several of the world's most important cultural artifacts are stolen, Inspector Clouseau (a lifelessly mugging Martin) is drafted to head up a who's who of the world's leading detectives to track down the culprit. Until that storied team comes together, the film is a dreary checklist of pratfalls, wan double entendres, and frantic, unfunny set pieces. Jolts of inspiration briefly appear in the form of a dick-waving Andy Garcia and a verbally jousting Alfred Molina (each playing a detective), and Lily Tomlin as a counselor trying to turn the casually racist and sexist Clouseau into a model of political correctness. The rest of the cast (Emily Mortimer, Jeremy Irons, a disarmingly beautiful Aishwarya Rai) is fine, but it's Garcia, Molina, and Tomlin who give you momentary hope that the film might settle into a witty, irreverent romp. Unfortunately, their efforts are ultimately defeated by Harald Zwart's inert direction of a flat script. And you'll have no problem figuring out the villain long before the film ends.