Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Miami's most popular hot spots.
user content provided by: LikeMe.net & Miami New Times

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

The Machine

Share

  • rss

By Arielle Castillo

Published on January 27, 2009 at 3:54pm

Hardcore Pink Floyd fans are exactly that — deeply, sometimes scarily knowledgeable about their favorite band, and sticklers for accuracy and respect in reproducing its music. And from a concert that is Pink Floyd-related, these folks demand a show. The true Floyd experience, after all, is about more than just the sounds; it's a complete sensory envelopment. You will rarely find a crappy bar cover band, for instance, tackling much Floyd material beyond the occasional "Wish You Were Here" sing-along.

Machine, a New York-based quartet, has been anointed the top American Floyd tribute act. (For the top international honor, they'd have to contend with Australian Pink Floyd, which also played in South Florida in recent months). Refreshingly, unlike other tribute acts, the individual musicians don't pretend to be the real John Waters and company. Instead, they focus on broadening their audiences' experience of their source material.

With nearly 20 years of practice, the band has now mastered, with near-flawless technical accuracy, virtually all of the band's catalogue, including its earliest albums and even rare solo material by the late Syd Barrett. But it's no robotic run-through; like early '70s Floyd, the Machine also embraces extensive onstage improvisation. And like later Floyd, elaborate light shows and stage settings abound. ARIELLE CASTILLO