Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Miami's most popular hot spots.
user content provided by: LikeMe.net & Miami New Times

National Features >

  • SF Weekly

    Turning the Tables

    "Hey, Mr. Deejay: Bend over and spread 'em."

    By Lois Beckett

  • City Pages

    Big Farma

    Meet the Minnesotans who receive federal subsidies for not growing anything.

    By Matt Snyders

  • Village Voice

    Rent-a-Wreck

    We begin our countdown of New York's Ten Worst Landlords.

    By Elizabeth Dwoskin

  • Broward-Palm Beach New Times

    The Grow House Murder

    The sweet smell of ganja was a dead giveaway. So was the dead body in the freezer.

    By Gail Shepherd

No Artificial Filler

Spam Allstars deliver again with their latest disc.

Share

  • rss

By Ernest Barteldes

Published on August 20, 2008 at 8:20am

For Miami-based guitarist and bandleader DJ Le Spam (a.k.a. Andrew Yeomanson), his band's name, the Spam Allstars, has nothing to do with the famed meat substitute. Instead, what the moniker actually represents is this eclectic act's mission "to blend improvisational electronic elements and turntables with Latin, funk, and dub to create a sound that is unique," as stated in the liner notes of the group's latest CD, Introducing Spam All-Stars (World Disc).

The album is a fine sample of what Miami's hardest-working Latin-fusion does best live: always thinking outside the box. An example of this is "Gallo Pinto," a Latin funk instrumental that stars the horn section, climaxing with a spine-tingling jazz-inspired solo from trombonist Chad Bernstein. "Afrika" features touches of danzón and West African beats, with an arrangement that focuses mainly on the work of conguero Lazaro Alfonso. Yet another standout is the keyboard-driven "Charanga E-350," reminiscent of the material with which Seventies Cuban-fusion bands such as Irakere (of which Alfonso was a member) experimented.

In a nutshell, the music on Introducing Spam All-Stars borrows from oft-neglected sounds from the past while creating a new sound courtesy of the divergent personalities of the band's musicians. Their groove is not easy to define at first (one could argue that is their point), but after a few spins, you can finally get it, as their legions of local fans did long ago.