Most Popular

"Most Popular" tools sponsored by:

Recent Articles

Recent Articles by Ben Westhoff

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

The Roots

Rising Down (Def Jam)

By Ben Westhoff

Published on May 15, 2008

If the recent Smirnoff showcase in New York — in which Common, Q-Tip, and KRS-One disconcertingly sold their skills to the British-owned vodka company for some quick stacks — is any indication, the state of "conscious" rap is in serious flux right now. It seems to stand mostly for vague platitudes, but just because the genre's founding fathers have grown wealthy and comfortable doesn't mean poverty and despair in the black community have abated. For this reason, the Roots' aggressive, disorienting Rising Down feels timely and urgent. A meditation on violence inspired by and named for William T. Vollman's book Rising Up and Rising Down, the album has a tone that's summarized by Black Thought's announcement he's "on some bomb threat in the mail shit" on "I Can't Help It." But he's not the only one itching for a fight. ?uestlove's caustic drumming and Kamal's dirty, almost grating keys make for angry-feeling instrumentation that borders on unmelodic and always demands the listener's attention. Although the energy in the album's second half flags and there are plenty of gratuitous guest appearances (including Common's), overall Rising Down rivals the group's masterpiece Things Fall Apart in freshness, complexity, and vitality.