Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Miami's most popular hot spots.
user content provided by: LikeMe.net & Miami New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

The Booming System

Junkie XL channels feedback into bass.

Share

  • rss

By Tamara Palmer

Published on March 19, 2008 at 12:25pm

He's remixed Elvis, Madonna, and Britney into credible techno formation — and, in the King's case, number one status all over again — as well as collaborated with Robert Smith, Gary Numan, and Dave Gahan on original ideas. But Amsterdam's Junkie XL (born Tom Holkenborg) is audibly excited about working with fresh talent on his fifth album, Booming Back at You.

That includes young artists like Lauren Rocket, age 21, who lends her unfettered vocals to "No Way," "Cities in Dust" (a high-octane version of the Siouxsie and the Banshees original), and first single "More," a plea to enjoy more naked recreation. Since his last album, 2003's Radio JXL, online social networking has bloomed, and he's used it as a tool to allow his music to be shaped by interaction with and feedback from fans all over the world.

"I've been communicating a lot with my friends [on MySpace] for the past two or three years, and rather than do something conceptual with this album, I finally decided after the 13 or 14 years that I've existed as Junkie XL, just to make an album that is technically what I do live," he explains. "It's raw, it's uplifting, it has a lot of energy, and it's punky. That's also why the album is called what it is; it's like, 'Here it is, guys, booming back at you!'"

Now in his fifth year of living in L.A.'s Venice Beach area, a location that teeters between edgy gangland and chic playland (and affords him many opportunities for film and videogame soundtrack work), Junkie seems to have made an easy transition from Smoke City to Smog City. "There are two spots in L.A. that feel somewhat close to what Amsterdam did for me, and they are Silver Lake and Venice. Here in Venice, they say it's 'Where art meets crime,'" he laughs, "but it has both, and Amsterdam does as well. They're both very vibrant, where one block is super off and the next is completely nice; where there's a bunch of weird guys hanging on the corner, and opposite that corner is a nice design house and a gallery. It just goes back and forth, and I really like it." It's little wonder why he finds Miami such an exciting place to perform.