Autechre

Related Content

• Punisher Talks EDM, Gender Stereotypes, and Moving to Miami
  December 20, 2012
• Punisher: "People Telling Me I Couldn't Be a DJ Gave Me the Motivation I Needed"
  December 12, 2012
• Top Ten Absolute Worst Music Trends of 2011
  December 26, 2011
• Muppets Collaborate With Joanna Newsom and Feist! Top Ten Musical Moments of Muppetry
  November 8, 2011
• Gainesville's Hundred Waters Runs Through Bardot on March 3
  February 20, 2012

More About

• Autechre
• Joanna Newsom
• Iannis Xenakis
• Curtis Roads
• Electronic Music

Autechre's MO over the past decade has been to usher you through a labyrinth of thorny textures both alien and alienating while spouting complex algorithmic theorems and punching you about the head and torso in 17/8 (or maybe 13/4) time. But on Autechre's ninth album, Quaristice, the band members occasionally veer into a gentler, more classically "beautiful" melodic mode; overall, the album is less rhythmically manic than their more recent releases.

Disc opener "Altibzz" is so tranquil and pastoral it's as shocking as Joanna Newsom going death metal. "Notwo" and "Outh9x" recall the somber meditativeness of Eno's On Land. "The Plc," however, covers more familiar Autechre ground, with its quasi-danceable whip-crack beats, cricketlike chatter, and queasy synth tones contoured into baroquely warped figures. Halfway through, however, the track gets roughed up and fragmented into a withered version of the beloved electro on which these producers were weaned.

This epitomizes Autechre's approach: They're deconstructionists, former b-boys paying homage to hip-hop and electro by subverting its tropes, refracting them through the rarefied tonal palette of avant-garde composers such as Iannis Xenakis and Curtis Roads and, less often, the hypnotizing effect of gamelan. The results won't so much inspire break dancing as they will figurative head-spinning. It's some of the most potent psychedelia you'll ever hear.