Blogs
Fri Aug 8, 11:52 AM
Fri Aug 8, 9:56 AM
Fri Aug 8, 12:33 PM
Fri Aug 8, 12:00 PM
Fri Aug 8, 9:54 AM
Fri Aug 8, 9:13 AM
Recent Articles
Recent Articles by Brandon K. Thorp
A Kendall theater companys new show does the rapper justice.
The M Ensemble aims at a moving bio and misses the mark.
At GableStage, therapist and patient switch roles.
Big gifts in little packages.
City Theatres smart smut is back in town.
No related articles found
National Features >
Village Voice
How Andrew Cuomo gave birth to the subprime-mortgage crisis that
threatens to bring down Fannie Mae and Freddie Mac.
By Wayne Barrett
Houston Press
Inside the world of "stash houses," where smugglers use torture to extort illegal immigrants.
By Chris Vogel
Phoenix New Times
Here's the John McCain some Arizonans know--and loathe.
By Amy Silverman
Snakes in My Spam
Eric Idles latest, greatest moneymaking scheme hits Miami.
Published on February 28, 2008
Strictly speaking, Spam is a cooked-meat product containing bits of many long-dead animals -- pigs, chickens, turkeys, clumsy factory workers -- jammed together and canned for the gastronomic pleasure of Hawaiians and normal people alike. Spamalot is not a dissimilar product. Part of former Monty Python member Eric Idles never-ending quest for money, it fits in nicely with his Master Plan and Long-Held Professional Ethic: Recycle old, not necessarily related bits of beloved Pythonisms and repackage them in shiny new wrappers to make old fans euphoric and drive young fans back to the source material.
Some people call this synergy; most former Pythons call it dumbfuckery of the purest ray serene, though only when speaking off the record. Whatever the word, everybody but Terry Jones agrees that Idle has brought the funny with Spamalot. As you most likely know, its a Tony Award-winning retelling of Monty Python and the Holy Grail, liberally spiced with pieces of The Life of Brian and parodies of assorted Broadway musicals. Hewing close to the original, Spamalot has attracted the love of critics and audiences, and now its coming to the Arsht Center, 1300 Biscayne Blvd., Miami. The show runs from March 4 through 9, and tickets cost $24 to $72.
March 4-9, 2008