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Recent Articles
Recent Articles by Ella Taylor
The Love Guru
A domineering dad and the son under his thumb in When Did You Last See Your Father?
Kung Fu Panda
Adam Sandler returns as a Mossad baddie turned stylist, and the bubbies will love him.
Despite the labels and levity, big-screen SATC is a poor man's knockoff.
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By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
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Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Kids These Days
Teen comedy Charlie Bartlett could use a dose of mean.
Published on February 21, 2008
Like most wannabe heroes of the eager-to-please teen comedy, poor little rich boy Charlie Bartlett (Anton Yelchin) is too charming by half and not nearly quirky enough. Expelled from his ritzy private school, our blazered hero soon finds himself dispatched to a public school by his desperate single mother (Hope Davis). Some mild narrative edge — Charlie goes into business with the school meanie supplying the student body with prescription drugs — is soon lost when screenwriter Gustin Nash and director Jon Poll begin raking industriously over the usual Troubled Youth talking points: overmedicated adolescents ill-served by crumbling high schools, a drug-happy medical establishment, and malfunctioning parents. Davis is quietly intelligent as Marilyn Bartlett, who washes down her own meds with a cheeky Chardonnay and treats her son as a replacement husband, and Kat Dennings brings sexy wit to her role as Charlie's sane gal pal. But as Kat's father and the school's barely coping principal, Robert Downey Jr. seems muffled and barely present. Which might be why he's given a gun to wave around in the third act, before we hear the tinkling sound of everything falling into wholesome place. Like its anodyne hero, Charlie Bartlett wants to make mischief, but it wants even more to get a gold star.