By Jacob Katel
By Karli Evans
By Jose D. Duran
By Pablo Chacon Alvarez
By Kat Bein
By Abel Folgar
By Laurie Charles
"I hate to say it, but it's because of the minimal stuff that you can do deep techno again [and at slower tempos]," Session says. "But I don't really like the minimal stuff."
Minimal techno arose as a reaction to the hard, fast stuff that irks Session, and as played by famous proponents like Richie Hawtin and Ricardo Villalobos, it's about a fierce, essential groove. But the seeming competition to pare it down has become a joke on the international dance scene. And the music's buttoned-up, dry, Teutonic image has scared many in Miami away from techno as a whole.
Now the springy, robo-soul bounce of "Can You Relate" has made it a hit across the dance spectrum and is winning people back to the genre, even here.
"I've had a lot of local DJs tell me that they're sick of playing commercial stuff like all the other DJs in town," says Nova. "With 'Can You Relate,' people that I think would normally be playing progressive house or other forms of dance music were inadvertently playing a techno track. And techno's been such a bad word here for such a long time."
In other words, some of the supersplintering of dance music that helped to debilitate it in Miami might be reversing itself. Session's Saturday-night gig — which promises a good dose of Gothenberg's summer mega-energy — is one of several lately to bridge a gap, to look back in dance music as a way of moving forward. Now can Miami relate?