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Brazil Brings Movies to Miami
The 12th annual Brazilian Film Festival is this weekend.
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Adam Sandler returns as a Mossad baddie turned stylist, and the bubbies will love him.
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The Not Terrible Hulk
In the shadow of Iron Man, the latest from Marvel can't live up to its billing.
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Cheap Sex
Despite the labels and levity, big-screen SATC is a poor man's knockoff.
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Robots in Love
WALL-E blasts off to the future by boldly going where every sci-fi movie has gone before. And that's a good thing.
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Vacancy
Published on April 19, 2007
Perfectly suited to the shabby delights of the hometown drive-in theaters of yesteryear, director Nimród Antal's creepy cockroach of a thriller feels less horrifying than it does curiously nostalgic. David (Luke Wilson) and Amy Fox (Kate Beckinsale) are a miserable, bickering couple driving back to L.A. when David's wrong turns lead them to the Pinewood, an old motel run by Mason (Frank Whaley, working his huge mustache and huger glasses for appropriate slimeball effect). But when David and Amy try to relax in their room, they discover a stack of snuff films that show a series of grisly murders committed in the motel. Once the couple realize Mason intends to make them the stars of his next one, Antal (responsible for the 2005 Hungarian thriller Kontroll) smartly adheres to the no-frills demands of B-movie horror, eliciting impressive chills from old-fashioned suffocating dread rather than the now-usual gore. Meanwhile Wilson and Beckinsale superbly execute everything that's required of their characters namely, yelling and running. At a time when so many genre films go splat because of large budgets or big egos, the small-scale pleasures of Vacancy are a welcome surprise. Happily the movie is exactly what you think it's going to be, only better.