Bright Eyes

Following the critical acclaim garnered by the 2005 simultaneous release of I'm Wide Awake, It's Morning and Digital Ash in a Digital Urn, Bright Eyes seems eager to confirm its status as indie overachievers. With anticipation building for a followup, the band's mainstays — boy-genius Conner Oberst, joined by Mike...

By Lee Zimmerman

April 5, 2007

[
        {
          "name": "Air - MediumRectangle - Inline Content - Mobile Display Size",
          "component": "19274298",
          "insertPoint": "2",
          "requiredCountToDisplay": "2"
        },{
          "name": "Editor Picks",
          "component": "17482312",
          "insertPoint": "4",
          "requiredCountToDisplay": "1"
        },{
          "name": "Inline Links",
          "component": "18711090",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Air - MediumRectangle - Combo - Inline Content",
          "component": "17482310",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Inline Links",
          "component": "18711090",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        },{
          "name": "Air - Leaderboard Tower - Combo - Inline Content",
          "component": "17482313",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        }
      ]

Following the critical acclaim garnered by the 2005 simultaneous release of I'm Wide Awake, It's Morning and Digital Ash in a Digital Urn, Bright Eyes seems eager to confirm its status as indie overachievers. With anticipation building for a followup, the band's mainstays — boy-genius Conner Oberst, joined by Mike Mogis and Nate Walcott — buy time with a six-song EP that serves as an extended preview for their upcoming album, Cassadaga. A hodge-podge of Bright Eyes' assorted styles, it veers from the jaunty country sway of the title track and the easy lilt of "Tourist Trap" to the cool, subdued "Smoke Without Fire," and the discordance and disarray that skews "Cartoon Blues." The most satisfying songs are those that fall somewhere in between — the surging "Reinvent the World" and an assertive "Stray Dog Freedom." Oberst remains a Bush-whacker, as implied in lyrical references to "the Great Satan" and "the horror of Babylon," but overall, Four Winds stirs up little more than a pleasant breeze.

KEEP NEW TIMES FREE... Since we started New Times, it has been defined as the free, independent voice of Miami, and we'd like to keep it that way. Your membership allows us to continue offering readers access to our incisive coverage of local news, food, and culture with no paywalls. You can support us by joining as a member for as little as $1.