For Florida's sole remaining sex surrogate, love is a many splintered thing.
It's not just giant companies cashing in on America's defense industry.
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
A diner's guide to Texas's oldest Mexican restaurants.
Eddie Murphy: Delirious (Starz)
Eddie Murphy, now trapped between possible Oscar win and equally likely Norbit forfeit, was never better than he was in this 1983 stand-up special -- and never worse, if you find yourself choking on the "faggot" jokes and AIDS gags that, then and especially now, revealed a young man's ignorance and arrogance. Delirious, sadly, isn't as brilliant as you might have recalled; the Mr. T anal sex routine and James Brown and Stevie Wonder impressions are too worn out to hold up. (Though there is no denying that the red-leather getup, which he sweats and swears through, remains a thing of beauty.) Don't be fooled by the promise of bonus material either; there are but two outtakes, both pointless (though perhaps revealing) rants at the audience. -- Robert Wilonsky
The Amazing Screw-On Head (Lions Gate)
At 22 minutes, it's hard to rationalize a good reason to purchase this animated goof-out from Mike Mignola, creator of Hellboy -- well, except that it's genius. A bit of Pythonesque lunacy, based on a Mignola comic and retaining his crudely beautiful artwork, it stars Paul Giamatti (no, seriously) as the voice of the title character, a sort of spy-catching Iron Pipsqueak in the employ of Abraham Lincoln. The Prez calls upon Screw-On Head to save America ("by which I mean, the world") from the evil Emperor Zombie (David Hyde Pierce), Screw-On Head's former manservant, who stole from him the Love of His Life, Patience (Molly Shannon), now a member of the living dead. In other words, it's deadpan nonsense -- a love triangle starring a zombie, robot, and vampire, featuring an Honest Abe who says things like "We're dealing with undead perversions of the only woman you ever loved." Like I said, genius. -- Wilonsky
Hellboy Animated: Sword of Storms (Starz)
Hellboy's turned into a bad game of telephone. The original Mike Mignola comic was brilliant, not only for its hero -- a spawn of hell raised by humans to kick demon ass -- but also in the stark lines and bold colors of its art. The film based on the comic captured much of the original's eerie beauty and humor. But the cartoon based on the movie based on the comic? Not so much. The wit is still here, as are the voice talents of Ron Perlman and Selma Blair. But there's no chills, thanks mostly to the humdrum animation. A doc reveals that the producers were forbidden to cop Mignola's original style -- a strange decree, to say the least. The less said about the included comic, based on the cartoon based on the movie based on the comic, the better. -- Harper