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Metal Machine Music

Front Line Assembly retains a fascination with all things cyber

Like thoroughbred horses, industrial music has only a handful of forebears, so when the Big Three — Skinny Puppy, Ministry, and Front Line Assembly — seemed to be calling it quits or, at the very least, falling off around 1995, the future looked even darker than normal for the genre's propulsive, political wall of static. By 2000, rock and rehab had consumed survivor Trent Reznor of Nine Inch Nails, and — even though the goths won't admit he's one of them — Marilyn Manson had landed squarely in the Hot Topic camp.

Then, in 2003, industrial music began a sluggish resurgence. Ministry's Al Jourgensen roused himself from a heroin-induced stupor to release three new albums. After a falling-out brought about by the death of Skinny Puppy's founding member Dwayne Goettel, Nivek Ogre and cEvin Key regrouped in 2000, appeared at the Dresden Festival, and in 2004 released the politically charged The Greater Wrong of the Right. The triumvirate again became complete when Front Line Assembly's original members, Bill Leeb (who had once been in Skinny Puppy), Rhys Fulber, and Chris Peterson reunited, bringing in a new guitar player, Jeremy Inkel.

Front Line's latest album, Artificial Soldier, drops Tuesday, June 20, the very day the band is scheduled to play Fort Lauderdale. Artificial adds to Front Line's catalogue of more than twenty full-length albums and nearly innumerable maxi-singles and side projects. Despite its place in industrial music's firmament, the trademark of the Frontline Assembly sound is that there really isn't one. Early singles like "Digital Tension Dementia" (from 1992's defining Tactical Neural Implant album) offer completely synthesized sounds, while 1994's Millennium CD experiments with sample and live electric guitars. Implode (1999) and Epitaph (2001) introduced harmonic, trancy synth lines, a bit of breakbeat, and other nondanceable tracks resembling Aphex Twin's ambient soundscapes.

Rhys Fulber (left) and Bill Leeb are the Godolphin Arabians of industrial music
COURTESY OF Metropolis Records Promotions
Rhys Fulber (left) and Bill Leeb are the Godolphin Arabians of industrial music

Details

Front Line Assembly performs with Stromkern and DJ? Acucrack on Tuesday, June 20, at the Culture Room, 3045 N Federal Hwy, Fort Lauderdale. Doors open at 8:00 p.m. Tickets cost $19.99. Call 954-564-1074, or visit www.cultureroom.net.

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"And then," recalls Leeb, speaking to New Timesfrom a tour bus heading from Vancouver, British Columbia, to Los Angeles, "I needed a break from Front Line to work on some other things."

But Leeb agrees it's time for industrial music to make a comeback. So he and the band are back touring behind the new disc.

"All of a sudden, we're doing a bunch of festivals," Leeb muses. "Ministry [and] all those kinds of bands are back up and about. I would say industrial music is having a bit of a resurgence. It's a good sign that Skinny Puppy is touring.

"It seems like maybe industrial music has stood the test of time. It's not just a fad or a fashion; there are still a lot of kids around who are into it. It seems to be, at the moment, alive and well in its own particular way — not massive or anything. But it's found its own place; it'll always be there. It will never be at the forefront, and maybe that's a good thing."

Leeb notes that industriophiles have their own codified behaviors and sets of expectations.

"We have a new guitar player, and that goes over really well with what we've seen so far," he explains. "When we did the Millennium album, we actually did an Internet track, and in a forum to discuss it, people got pretty vicious. 'Why are you using guitars? Why are you crossing over to metal?' We got a divided camp, but at the end of the day, Millennium was one of our best-selling albums. As soon as we bring guitars into a concert, mosh pits get going — people wake up. To me, it shows that it's another good element to use with everything else. It makes the electronic thing not as stiff as it can sometimes be."

One of Leeb's most successful side projects is the dream-poppy, new-age-inflected Delerium.

"Delerium's revenue basically allows me to afford to continue Front Line. We just finished mixing and recording a new Delerium album due out in December. That's the project that I feel like I can continue for as long as I want; it's not an age-driven thing or a fashion-driven thing but more about aesthetics," Leeb says, adding he foresees collaborations with singers like Sarah McLachlan, whose vocals grace the hugely popular Delerium single "Silence."

Leeb is also working on patching things up with his long-ago bandmates in Skinny Puppy.

"When we get into Los Angeles, I'm going to be calling cEvin and seeing if he wants to go to dinner," Leeb says. "We all used to be best of friends long before we started this whole music thing. We were just fans, and we partied and went out and established friendships. I think Skinny Puppy is a very influential band in its own way. I hope they stay around for a while and keep doing creative things."

Leeb goes on to describe another collaborative partnership, this one with Dave McKean, a graphics and photo montage artist who did the traditional and computer-generated animation as well as the handheld puppetry for the 2005 fantasy feature film MirrorMask. McKean has designed all of Front Line Assembly's album covers since 1986, each framing the band's conceptual fascination with the melding of humans with machines.

"McKean is sort of the fourth member of the band. When I finish recording something, I send Dave the music, and we literally go with what we get back for the cover," Leeb explains. "It is kind of a neat collaboration, because I am not telling another artist how to be an artist — I'm just letting him be inspired."

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