Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Miami's most popular hot spots.
user content provided by: LikeMe.net & Miami New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Hillstomp

The Woman That Ended the World (Fuzzmonster Records)

Share

  • rss

By j. poet

Published on May 11, 2006

Hillstomp, a guitar-and-percussion duo from Portland, Oregon, takes its cue from primordial North Mississippi blues cats like R.L. Burnside and Othar Turner. The bandmates balance the primitive drone of the Southern hills with a concentrated postpunk attack that keeps the music moving at a fever pitch. Before rock and roll, people danced to the blues, as Hillstomp reminds us with a thunderous groove. Henry Kammerer plays resonator guitar, a metal-body instrument that produces big, plump chord clusters and cascades of sizzling slide guitar noise. Drummer John Johnson holds down the beat with his vicious snare and kick drum, adding accents on a collection of plastic food drums and tin cans.