By Rebecca Bulnes
By S. Pajot
By S. Pajot, Liz Tracy, Kat Bein, & Sean Levisman
By Kat Bein
By Ashley Rogers
By Jose D. Duran
By David Rolland
If recent breakouts by Mylo and Vitalic have proven there's life left in house music and upbeat electronica (and they have), Idol Tryouts proves there's also life beyond it. This double-disc set, compiled by the soothsayers at edgy Ann Arbor label Ghostly International, is split into two loosely associated categories. Disc One, Avant-Pop, is self-explanatory; though you're certainly not going to hear the ethereal glitch-soul of Skeletons and the Girl-Faced Boys or murky machine-noise grind of Kill Memory Crash sitting politely next to anything in the Top 40, most of these songs are still hook-driven, or at least deliciously sharp and pointy. Where Ann Arbor's Dabrye slouches toward trip-hop Bethlehem, Massachusetts's Mobius Band dreams in sugar-pop Technicolor, and Taiwanese-American Daniel Wang ascends into heavenly dance-floor electro-funk.
Dubbed SMM and left undefined, the second disc is a sleeper, literally. To the impatient ear, ambient music can sound unfinished, or at least un-fun and meandering. And thrown into relief by the obvious, beat-driven thrill of disc one, this down-tempo followup is certainly far more subjective. Occasionally, like a drowsy sunrise, it's also downright beautiful. Whether the submersive, digital gamelan of Deru's "Straight Speak" or the faded textures and haunted vocals of Sybarite's "Sanctuary" perk you or Percocet you depends on what kind of listening you do. But there's intrigue here too. SMM and Ghostly in general just wants you to pay attention.