Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Miami's most popular hot spots.
user content provided by: LikeMe.net & Miami New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Yellowman

Share

  • rss

Chris Coomey

Published on February 23, 2006

When Bob Marley died in 1981, a seismic shift in reggae was set into motion. Island New Wave shook Kingston clubs in the form of dancehall. The man credited as the pioneer called himself Yellowman. His beats attracted legions — at one point he had 40 singles charting the island. Among the first musicians to incorporate toasting — the equivalent of rapping — with studio-driven reggae beats, Yellowman epitomized the Eighties. He rhymed on violence, homosexuality, and sexism, and he followed his own lead. As a result, Yellowman became more well-known for his aggressive lifestyle than his penchant for a smooth and utterly revolutionary delivery. His stay at the top didn't last long. He was a victim of his own success, and a number of dancehall artists shot past him. After a bout with skin cancer, he turned more spiritual with 1994's Prayer. The sound caught many off-guard. He has aged well, and his body of work sounds more important because of it.