Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Miami's most popular hot spots.
user content provided by: LikeMe.net & Miami New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Elvis Costello Live with the Metropole Orkest

My Flame Burns Blue (Deutsche Grammophon)

Share

  • rss

By j. poet

Published on February 09, 2006

The Netherlands' Metropole Orkest, a jazz/pop/cabaret ensemble, recently celebrated its 50th anniversary. They're famous for collaborations with visiting artists such as Stan Getz, Celine Dion, and now Elvis Costello. Recorded at the North Sea Jazz Festival in 2004, with arrangements by Costello, the program revisits tunes old and new, and a few covers, dressed up in fancy jazz/pop costumes. Costello's voice isn't supple enough to deem him a jazz singer, but he knows how to deliver a song, even when he's almost drowned by the volume of the Orkest. The set features Costello's more serious compositions, including "Hora Decubitus," a Charles Mingus tune with elaborate tongue-twisting lyrics by Costello, delivered in a rush and punctuated by a sharp, bluesy guitar solo; "Upon a Veil of Midnight Blue," a dramatic ode to true love that's remarkably free from cynicism; and the title track, Billy Strayhorn's "Blood Count" reinvented by Costello with a wrenching, torchy vocal full of mystery and painfully restrained passion.