Most Popular

Recent Articles

Recent Articles by Philip Booth

National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Various Artists

Our New Orleans (Nonesuch)

By Philip Booth

Published on December 15, 2005

 Our New Orleans, featuring new recordings by Crescent City musicians, is not only a testament to that city's talent and durability, but also proves that crisis breeds creativity. Irma Thomas drops her familiar R&B in favor of the Joe Henry-produced "Back Water Blues," a gutbucket blues with the singer's spooky vocals undergirded by Doyle Bramhall II's slithering guitar fuzz. For "Cryin' in the Streets," Buckwheat Zydeco downshifts from party to a mournful plea enforced by the leader's accordion swirl and Ry Cooder's inspired six-string surges. Davell Crawford's gospel-tinted "Gather by the River" is a heartbreaker too, as is Dr. John's "World I Never Made," a molasses-slow shot of funk elegance. But hope shines through, with Allen Toussaint's opening "Yes We Can Can"; the second-line rhythms of the Wild Magnolias' "Brother John Is Gone/Herc-Jolly-John"; the Dirty Dozen's raucous, horn-crunching "My Feet Can't Fail Me Now"; and the string-band bustle of BeauSoleil's "L'ouragon." Our New Orleans is an alternately joyful and poignant reminder of all that's worth saving about the Big Easy.



Miami New Times Insiders

  • Local food, music and news blasts
  • Free Stuff