By Jacob Katel
By Laurie Charles
By Nate "Igor" Smith
By Abel Folgar
By Kat Bein
By Jacob Katel
The Dutch aren't known for much besides cheese, but Tiësto and his fellow countrymen Armin Van Buuren and Ferry Corsten are making a case for Holland as the home of the DJ as rock god. Tiësto's latest release, Just Be, is an ambitious ten-track exploration of trance mixed with traditional pop elements.
Accordingly, the results are mixed. Songs such as the lead single "Love Comes Again" (the video for which was filmed at Club Space during this year's WMC) prove that Tiësto can effortlessly fuse the high energy of club music with pop elements à la Crystal Method without losing too much credibility. But other tracks such as the title cut, with its trite sentiments ("I was lost and I'm still lost/But I feel so much better") by former Opus III singer Kirsty Hawkshaw over a clichéd house chord progression, fall far short of what the DJ is capable of. The most interesting fusion comes via "Sweet Misery," which starts out sounding like something off of Depeche Mode's Black Celebration and eventually morphs into a darkly beautiful love song with heavy synthesizers, piano, and breathless vocals courtesy of Jo Lloyd that are reminiscent of Sarah McLachlan.
Hardcore fans of Tiësto's heavenly trance sets may be disappointed by the inclusion here of heavily produced vocal pop numbers. But there are more than enough blissed-out, transcendent instrumental tracks on Just Be, particularly the massive, rolling current club favorite "Traffic," to satisfy dance-floor purists.