Imperfect Triangle

Lionel Goldstein's Halpern & Johnson, now onstage at the Coconut Grove Playhouse, is the story of two men brought together by the death of a woman who was central to both their lives. Despite an engaging premise, Goldstein's adaptation of his own 1983 HBO teleplay Mr. Halpern & Mr. Johnson (which starred Jackie Gleason and Sir Laurence Olivier) falls short of its potential to explore the relationships between married men and women.

Hal Linden and Brian Murray

Details

By Lionel Goldstein; directed by David Ellenstein. Starring Hal Linden and Brian Murray. Through April 4. Call 305-442-4000 or www.cgplayhouse.com

Coconut Grove Playhouse, 3500 Main Hwy, Coconut Grove

Related Content

• The Fillmore Is Saved: New Convention Center Deals Will Keep Jackie Gleason Theater
  April 24, 2013
• Fillmore Miami Beach Won't Be Bulldozed! Developers to "Preserve" After Public Outcry
  April 24, 2013
• Save the Fillmore Miami Beach! Sweat Records' Tips to Preserve the Jackie Gleason Theater
  April 8, 2013
• Fonseca, Latin Grammy Winner, Bringing Colombian Tropipop to Fillmore Miami Beach
  April 17, 2013
• Five Best Concerts in Miami This Week
  March 5, 2013

More About

• Joseph Halpern
• Dennis Johnson
• Lionel Goldstein
• Relationships
• Marriage

Joseph Halpern, played by Hal Linden (of TV's Barney Miller), is an abrasive and grumpy widower who seems incapable of expressing his sense of loss and love for his deceased wife Florence. At her gravesite Halpern happens upon a stranger, Dennis Johnson (veteran stage actor Brian Murray), who unexpectedly describes Florence with affection as his dear friend and lost love. The two men could not be more different, so much so that it makes you wonder how Florence could have married such a sarcastic grump, especially when her first love is an attractive man who was interested in her opinions and feelings.

The tension between Halpern and Johnson is the play's fulcrum, but its effectiveness requires us to see the qualities that attracted Florence to them, to sympathize with them, and come to embrace their flawed characters as they gradually accept each other's significance in Florence's life. Unfortunately this never happens. One reason is Linden's performance. Fraught with affected gesticulation and inconsistent dialect, his Halpern comes off as a caricatured sourpuss next to the sincerity of Murray's Johnson. Without a sympathetic Halpern, we're left with a tale of unrequited love, not the compelling love triangle that was intended.