The 37-year-old Garcia was known in Havana as the host of the television program De la Gran Escena (From the Big Scene). "I talked about literature, film, and theater," he says. Anything but politics. His eschewing of that, he says, cost him his job in 1999, after fourteen years on the Cuban national boob tube. "I want to live in a society where debating and thinking is possible, not in a trench in which ideas are used to exclude someone from professional life or from the civil society of a country." Here, on his WQBA-AM (1140) nighttime talk show La Noche Se Mueve (The Night Moves), he is constantly declaiming the importance of pluralism, freedom of expression, the U.S. Constitution, and respect for ideas. "Those things don't fly in a totalitarian society," he notes wryly. Sometimes they don't fly in Miami. For example, when other locutors of the AM waves recently took up the subject of Havana-based pro-democracy dissident Oswaldo Payá, they and callers ragged on Payá for being a dupe of the Castro regime. Garcia, in contrast, had a show featuring Payá himself via telephone so callers could rag on him directly. (Others praised Payá, while some actually attempted to inform themselves by asking him questions.) Because Miami is Miami, Garcia's pluralistic tendencies draw accusations that he is a Red. One night the seemingly harmless topic was "integration" -- as in Cubans in the "diaspora" reuniting with their estranged compatriots on the island. An angry caller boasted that he had left Cuba in 1968 and would never go back until the Communists are gone. He was also sure that most people who travel to and from Cuba and talk about democracy are secretly Communists. The caller even suspected there was a "Fidelito" (little Fidel) hiding inside Edmundo. The host wholeheartedly disagreed, but instead of yelling, he threw the First Amendment at the caller. "You think there's a Fidelito in me," Garcia summarized, "and that's your opinion."