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Because not only will Martin cope with the reasons for his suicide, but he will do so with a therapist, Dr. Orloff, who conducts his sessions by badgering, humiliating and essentially kidnapping his patient. Martin's hour in Orloff's office turns into, among other things, an afternoon at a softball game that lands the two in jail; a side trip to a strip bar that serves New York City's best sweet potato pie; an evening at a play in which the actresses chastise attempted suicides as pathetic; and the promise of a savage beating by a football player with a penis the size of a Louisville Slugger. "I'm here for suicide," Martin explains to his doc by way of introduction. "Attempted suicide," Orloff corrects, lighting a cigar and igniting a small fire. "There's a big difference."
Martin is played by a man named Ian Roberts; Dr. Orloff, by Matt Walsh. They may be vaguely recognizable to the casual viewer of comedy: You might have seen Roberts as the fey dance instructor in Bring it On, Walsh as a correspondent on The Daily Show or a would-be frat man in the new Old School. More discerning consumers will know them both as founding members of the Upright Citizens Brigade, the devious pranksters and improv comedy troupe who had their own Comedy Central series from 1998 to 2000 and still run a theater in Manhattan, where they perform, teach improv class and accommodate audiences full of talent scouts for the likes of David Letterman and Saturday Night Live. (The UCB is currently looking for a new permanent home, having run into landlord issues a few months ago.) UCB'ers Matt Besser and Amy Poehler, now a cast member on Saturday Night Live, are also in the film. In fact, everywhere you turn in the movie is a recognizable face: David Cross, Andy Richter, Janeane Garofalo and SNL's Rachel Dratch and Tina Fey have roles ranging from extended cameos to peekaboo performances.
That alone should be reason enough for someone to take a flier on this movie; the Upright Citizens Brigade may only be a household name in the apartments of the stoned and recently-graduated-from-college, but it's a sizable audience. Surely, a UCB movie could draw. Right? No, right?
"Of course, it's possible that nobody finds funny what we find funny," Walsh says. "But there is a fan base, and we have a sense of humor people connect to, so it is surprising someone doesn't understand just the simple mathematics of it. If a group like The State [Wet Hot American Summer] or Broken Lizard [Super Troopers] can make a movie and get a release, and I think our movie's solidly funny throughout, then it's sort of a reasonable assumption that somebody would take that risk and see the profit. But I'm not the guy buying it." No one is.